The following is a conversation with Ivanka Trump, businesswoman, real estate developer, and former senior advisor to the President of the United States. I've gotten to know Ivanka well over the past two years. We've become good friends, hitting it off right away over our mutual love of reading, especially philosophical writings from Marcus Aurelius, Joseph Campbell, Alan Watts, Victor Franklin, and so on. She is a truly kind, compassionate, and thoughtful human being. In the past, people have attacked her. In my view, to get indirectly at her dad, Donald Trump, as part of a dirty game of politics and clickbait journalism.
These attacks obscured many projects and efforts, often bipartisan, that she helped get done, and they obscured the truth of who she is as a human being. Through all that, she never returned the attacks with anything but kindness, and always walked through the fire of it all with grace. For this, and much more, she is an inspiration, and I'm honored to be able to call her a friend.
Oh, and for those living in the United States, happy upcoming Fourth of July, it's both an anniversary of this country's declaration of independence and an anniversary of my immigrating here to the U.S. I am forever grateful for this amazing country, for this amazing life, for all of you, who have given the chance to a silicate like me, from the bottom of my heart. Thank you. I love you all.
This is the Lex Freeman podcast to support it. Please check out our sponsors in the description. And now, dear friends, here's Ivanka Trump. You said that ever since you were young, you wanted to be a builder, that you loved the idea of designing beautiful city skylines, especially in New York City. I love the New York City skyline. So describe the origins of that love of building.
You know, I think there's both an incredible confidence and a total insecurity that comes with youth. So I remember 15. I would look out over the city skyline for my bedroom window in New York and imagine where I could contribute and add value in a way that, you know, I look back on and completely laugh at, you know, how confident I was. But I've known since my earliest memories, it's something I've wanted to do. And I think I fundamentally, I love art. I love expressions of beauty in so many different forms.
With architecture, there's the tangible. And I think that marriage of function and something that exists beyond yourself is very compelling. I also grew up in a family where my mother was in the real estate business working alongside my father. My father was in the business and I saw the joy that had brought to them. So I think I had these natural positive associations. They used to send me as a little girl renderings of projects they were about to embark on with notes asking if I would hurry up and finish schools so I could come join them.
So I had these positive associations. But I came from something within myself. I think that as I got older and as I got involved in real estate, I realized that it was so multidisciplinary. You have, of course, a design, but you also have engineering, the brass tax of construction. There's time management, there's project planning, just the duration of time to complete one of these iconic structures. It's enormous. You can contribute a decade of your life to one project.
So while you have to think big picture, it means you really have to care deeply about the details because you live with them. So it allowed me to flex a lot of areas of interest. I love that confidence of youth. It's funny because we're all so insecure, in the most basic interactions, but yet our ambitions are so unbridled. In a way that makes you blush as an adult. I think it's fun. It's fun to tap into that energy. Where everything is possible, I think some of the greatest builders I've ever met always have that little flame of everything is possible, still burning.
That is a silly notion from youth, but it's not so silly. Everybody tells you something is impossible, but if you continue believing that it's possible. I have that naive notion that you could do it, even if it's exceptionally difficult. That naive notion turns into some of the greatest projects ever done. Going out the space or building a new company where everybody said it's impossible, taking on the gigantic company and disrupting them and revolutionizing how stuff is done, or building huge building projects.
Like you said, so many people are involved in making that happen. We get conditioned out of that feeling. We start to become insecure and we rely on the input of validation of others and it takes us away from that core drive and ambition. It's fun to reflect on that and also to smile because whether you can execute or not, time will tell. That was very much my childhood. Of course, it's important to also have the humility once you get humbled and realize that it's actually a lot of work to build.
I'm still amazed just looking at big buildings, big bridges that human beings are able to get together and build those things. That's one of my favorite things about architecture is just like, wow, it's a manifestation of the fact that humans can collaborate and do something like epic much bigger than themselves. It's a statue that represents that and it can be there for a long time. I think in some ways you look out at different city skylines and it's almost like a visual depiction of ambition realized.
It's a testament to somebody's dream, not somebody whole ensemble of people's dreams and visions and triumphs and in some cases failures if the projects weren't properly executed. You look at these skylines and it's a testament to that. I actually heard once architecture described as frozen music that really resonated with me. I love thinking about a city skyline as an ensemble of dreams realized. Yeah, I remember the first time I went to Dubai and I was watching them dredging out and creating these man-made islands and I remember somebody once saying to me, they're an architect, an architect actually who collaborated with us on our tower in Chicago.
He said that the only thing that limited what an architect could do in that area was gravity and imagination. Yeah, but gravity is a trick you want to work against and that's where civil engineers, one of my favorite things, they used to build bridges in high school for physical classes. You have to build bridges and you compete on how much weight you can carry relative to their own weight. You study how good it is by finding its breaking point and that was a deep appreciation for me on the miniature scale of on a large scale where people are able to do with civil engineering as gravity is a trick you want to fight against.
It definitely is in bridges. I mean some of the iconic designs in our country are incredible bridges. So if we think of skylines as ensembles of dreams realized you spent quite a bit of time in New York, what do you love about and what do you think about the New York City skyline? What's a good picture? We're looking here at a few. Looking over the water. Well, I think the water is an unbelievable feature of the New York skyline. As you see the island on approach and oftentimes you'll see like in these images you'll see these towers reflecting off of the water surface. So I think there's something very beautiful and and unique about that.
When I look at New York, I see this unbelievable sort of tapestry of different types of architecture. So you have the Gothic form as represented by buildings like the Woolworth Building or you'll have Art Deco as represented by buildings like Forty Wall Street or the Chrysler Building or Rockefeller Center. And then you'll have these unbelievable super modern examples or modernist examples like Leaver House and Seagrams House. So you have all of these different styles and I think to build in New York, you're really building the best of the best. So nobody's giving New York their sort of second rate work.
And especially when a lot of those buildings were built, there was this incredible competition happening between New York and Chicago for kind of dominance of the sky. And for who could create the greatest skyline that sort of raced to the sky when skyscrapers were first being built, starting in Chicago and then New York surpassing that in terms of height at least with the Empire State Building. So I love sort of contextualizing the skylines as well and thinking back to when different components that are so iconic were added and the context in which they came into being.
I got to ask you about this. There's a pretty cool page that I've been following on X architecture and tradition and they celebrate sort of traditional schools of architecture. And you mentioned Gothic, the tapestry. This is in Chicago, the Tribune Tower or Chicago. So what do you think about that sort of the old and the new mix together? Do you like Gothic? I think it's hard to look at something like the Tribune Tower and not be completely in awe. Like this is an unbelievable building. Look at those buttresses and you've got gargoyles hanging off of it.
And you know, this style was reminiscent of the cathedrals of Europe, which was very kind of in vogue in like the 1920s here in here in America. Actually, I would mention the Woolworths Tower before. The Woolworths Tower was actually referred to as the Cathedral of Commerce. And because it also was in that Gothic style. So this was built maybe a decade before the Tribune Building. But the Tribune Building to me is almost not replicable. It personally really resonates with me because one of the first projects I ever worked on was building Trump Chicago, which was this beautiful, elegant, super modern, all-glass skyscraper right across the way. So it was right across the river. So I would look out the windows as it was under construction or be standing quite literally on rebar of the building looking out at the Tribune and incredibly inspired.
And now the reflective glass of the building reflects back not only the river, but also the Tribune Building and other buildings on Michigan Avenue. Do you like it when the glass, the reflective properties of the glass as part of the architecture? I think it depends. Like they have super reflective glass that sometimes doesn't work. It's distracting. And I think it's one component of sort of a composition that comes together. I think in this case, the glass on Trump Chicago is very beautiful. It was designed by Adrian Smith of Skidmore Owings and Marilla, a major architecture firm who actually did the Burj Khalifa in Dubai, which is I think an awe-inspiring example of modern architecture. But glass is tricky. You have to get the shade, right? You know, some glass has a lot of iron in it and get super green. And that's a choice. And sometimes you have more blue properties, blue silver like you see here, but it's part of the character.
现在,这栋大楼的反光玻璃不仅反射出河流的景象,还反射出论坛报大楼和密歇根大街上的其他建筑。你喜欢玻璃作为建筑的一部分,具有反光的特性吗?我觉得这要看情况。有时候,他们会用超强反光的玻璃,但效果不佳,反而让人分心。我认为这是整体构图的一部分。在这个案例中,特朗普芝加哥大楼上的玻璃非常漂亮。它是由Adrian Smith设计的,这位建筑师来自大名鼎鼎的Skidmore Owings and Merrill建筑事务所,他们还设计了迪拜的哈利法塔。我认为那是现代建筑的一个令人惊叹的例子。但玻璃的使用很棘手,你必须选择合适的色调。有些玻璃含有大量的铁,因此呈现出深绿色,那是一种选择。有时你会看到更偏蓝色或蓝银色的特性,就像你在这里看到的那样,这是建筑个性的一部分。
How do you know what it's actually going to look like when it's done? Like is it possible to imagine that? Because it feels like there's so many variables. I think so. I think if you have a vivid imagination, if you sit with it, and then if you also go beyond the rendering, right, you have to you have to live with the materials. So you don't build a 92-story building, glass curtain wall, and not deeply examine the actual curtain wall before purchasing it. So you have to spend a lot of time with the actual materials, not just the beautiful sort of artistic renderings, which can be incredibly misleading. The goal is actually that the end result is much, much more compelling than what the architect or artist rendered. But oftentimes, that's very much not the case.
Sometimes also you mention context. Sometimes I'll see renderings of buildings. I'm like, wait, what about the building right to the left of it that's blocking 80% of its views of the, you know, the architects will remove things that are inconvenient. They'll say, so you have to be rooted in reality. And I love the notion of living with the materials in contrast to living in the imagined world of the drawings. So both are probably important because you have to dream the thing to existence, but you also have to be rooted in like what things actually going to look like in the context of everything else.
One of the underlying principles of the pages just mentioned, and I hear folks mention this a lot is that modern architectures kind of boring, that it lacks soul and beauty. And you just spoke with admiration for both modern and for gothic for older architectures. So do you think there's truth that the modern architecture is boring? I'm living in Miami currently. So I see a lot of super uninspired glass boxes on the waterfront, but I think exceptional things shouldn't be the norm. They're typically rare. And I think in modern architecture you find an abundance of amazing examples of super compelling and innovative buildings of science. I mean, I mentioned the Burj Khalifa. It is awe-inspiring. This is an unbelievably striking example of modern architecture. You look at some older examples, the city opera house.
So I think there's unbelievable, there you go. I mean, that's like a needle in the sky. Yeah, reaching out to the stars. It's huge. And in the context of a city where there's a lot of height. So it's unbelievable. But I think one of the things that's probably exciting me the most about architecture right now is the innovation that's happening with an you know, there's example of robotic fabrication. There's 3D printing. Your friend and who you introduced me to not too long ago, Nari Oxman, which he's doing at the intersection of biology and technology and thinking about how to create more sustainable development practices quite literally trying to create materials that will biodegrade back into the earth.
I think there's something really cool happening now with the rediscovery of ancient building techniques. So you have self-healing concrete that was used by the Romans. An art and a practice of using volcanic ash and lime that's now being rediscovered and is more critical than ever as we think about how much of our infrastructure relies on concrete and how much of that is failing on the most basic level. So I think actually it's a really, really exciting time for innovation and architecture. And I think there are some incredible examples of modern design that are really exciting. But generally, I think Roosevelt said that comparison is the thief of joy.
So it's hard. You know, you look at the Tribune building. You look at some of these iconic structures. One of the buildings that I'm most proud to have worked on was the historical post office building in Washington, D.C. You look at a building like that and it feels like it has no equal. Also, there's a psychological element where people tend to want to complain about the new and celebrate the old. It's just a history of time. So people are always skeptical and concerned about change.
And it's true that there's a lot of stuff that's new that's not good. It's not going to last. It's not going to stand the test of time. But some things will. And there's just like a modern art, there's a modern music. There's going to be artists that stand the test of time. And we'll later look back and celebrate them. Those are the good times. When you just step back, what do you love about architecture? Is it the beauty? Is it the function? I'm most emotionally drawn, obviously, to the beauty.
But I think as somebody who's built things, I really believe that the form has to follow the function. There's nothing uglier than a space that is ill-conceived, that otherwise it's decoration. And I think that after that initial reaction to seeing something that's aesthetically really pleasing to me when I look at a building or a project, I love sort of thinking about how it's being used. So having been able to build so many things in my career and work on so many incredible projects, I mean, it's really, really rewarding after the fact to have somebody come up to you and tell you that they got engaged in the lobby of your building or they got married in the ballroom and share with you some of those experiences.
So to me, that's equally as beautiful. The use cases for these unbelievable projects. But I think it's all of it. I love that you've got the construction and you've got the design and you've got the interior design and you've got the financing elements, the marketing elements. And it's all wrapped up in this one effort. So to me, it's exciting to sort of flex in all those different ways. Yeah, like you said, as dreams realized, hard work realized, I mean, probably on the bridge side is why I love the function.
In terms of function being primary, you just think of the millions of bridges. Go down. You had look at that. Yeah, this is devil's bridge in Germany. Yeah, I wouldn't say it's like the most practical design. But look how beautiful that is. Yeah, so this is probably, well, we don't know. We need to interview some people whether the function holds up, but in terms of beauty and then we're talking about using the water for the reflection and the shape that creates, I mean, there's an elegance, the shape of a bridge.
See, it's interesting that they call it devil's bridge, because to me, this is very ethereal. You know, I think about the ring, the circle, life. There's nothing about this that makes me feel maybe they're just being ironic in the name. That function's really flawed. Yeah, exactly. Maybe nobody's ever successfully crossed the bridge. Yeah. But I mean, to me, there's just, I kind of, I love looking at bridges because of the function, it's the Brooklyn bridge or the Golden Gate bridge.
I mean, those are probably my favorites in the United States. Just in a city to be able to look out and see the skyline combined with the suspension bridge and thinking of all the millions of cars that pass like the busyness like us humans getting together and going to work, building cool stuff and just the bridge kind of represents the turmoil and the busyness of a city as it creates. It's cool. And the connectivity as well.
Yeah. The network of roads all come together. So there, the bridge is the ultimate combination of function and beauty. Yeah. I remember when I was first learning about bridges studying the cable stay versus the suspension bridge. And I mean, you actually built many replicas. So I'm sure you'll have a point of view on this, but they're, they really are so beautiful. And you mentioned the Brooklyn bridge, but growing up in New York, that was as much a part of the architectural story and tapestry of that skyline as any building that's seen in it.
What in general is your philosophy, philosophy of design and building in architecture? Well, some of the most recent projects I worked on prior to government service were the old post office building and almost simultaneously Trump, D'Areal and Miami. So these were both to just massive undertakings, both redevelopments, which in a lot of cases having worked on ground up construction redevelopment projects are in a lot of ways much more complicated because you have existing attributes, but also a lot of limitations. You have to work within, especially when you're repurposing a use. So, so this, the old post office building on Pennsylvania Avenue was so beautiful. It's unbelievable. So this was a Romanesque revival building built in the 1890s on America's Main Street to symbolize American grandshire. And at the time there were post office being built in in the style across the country, but this being really the defining one.
Still to this day, the tallest habitable structure in Washington, the tallest structure being the monument, the nation's only vertical park, which is that clock tower, but you've got these thick granite walls, those carved granite turrets, just just an unbelievable building. You've got this massive atrium that runs through the whole center of it that is is topped with glass. So having the opportunity to to spearhead a project like that was was so exciting and actually was my first renovation project. So I came to it with a tremendous amount of energy, vigor and humility about how to do it properly and sharing I had all the right people. We had countless federal and local government agencies that would oversee every single decision we made. But in advance of even having the opportunity to do it, there was a close to two-year request for proposal like a process that was put out by the General Services Administration.
So it was this really arduous government procurement process that we were competing against so many different people for the opportunity, which a lot of people said it was a gigantic waste of time, but I looked at that and I think so did a lot of the other bitters and say it's worth trying to put the best vision forward. So you fell in love with this project? I fell in love. Yeah. So is there some interesting details about what it takes to do renovation? Is there about some of the challenges or opportunities? Because you want to maintain the beauty of the old. Yeah. And now like upgrade the functionality I guess and maybe modernize some aspects of it without destroying what made the building magical in the first place. So I think the greatest asset was already there. The exterior of the building, which we meticulously restored and any addition to it had to be done very gently in terms of any signage additions and the interior spaces were completely dilapidated.
It had been in a post office then we was used for a really rundown food court and government office spaces. It was actually losing six million dollars a year when we got the concession to build it and when we won and and became one of I think a great example of public-private partnerships working together. But the I think the biggest challenge in having such a radical use conversion is just how you lay it out. So the amount of time I would get on that, et cetera, twice a week, three times a week to spend day trips down in Washington and we would walk every single inch of the building, laying out the floor plans debating over the configuration of a room. There were almost 300 rooms and there were almost 300 layouts. So nothing could be repeated. Whereas when you're building from scratch, you have a box and you decide where you want to add potential elements and you kind of can stack the floor plan all the way up.
But when you're working within a building like this, every single room was different. You see the setbacks or the setback then required you to move the plumbing. So there was no, it was really a labor of love and to do something like this and that's why I think renovation. We had it with Dural as well. It was 700 rooms over 650 acres of property. And so every single unit was was very different and complicated, not as complicated in some ways. The scale of it was so massive, but not as complicated as the old post office, but it required a level of precision. And I think in real estate, you have a lot of people who design on plan. And a lot of people who are in the business of sort of acquiring and flipping. So it's more financial engineering than it is building. And they don't spend the time sort of sweating these details.
It makes something great and makes something functional. And you feel it in the end result. But I mean, blood sweat tears years of my life for those projects. And it was worth it. I enjoyed almost, I enjoyed almost every minute of it. So to you, it's not about the flipping. Do you, it's about the art of the and the function of the thing that you're creating? 100%. What's design on plan? I'm learning. You think today. When proposals are put forth by an architect and really just the plan is accepted without and in the case of a renovation, like if you're not walking those rooms, the number of times a beautifully laid out room was on a blueprint. And then I'd go to Washington and I'd walk that floor and I'd realize that there was a column that ran right up through the middle of the space where, you know, the bed was supposed to be or the toilet was supposed to be or the shower.
So there's a lot of things that are missed when you do something conceptually without sort of rooting it in the actual structure. And that's why I think even, you know, with ground up construction as well, people who aren't constantly on their job sites constantly walking the projects, there's just a lot that's there's a lot that's missed. I mean, there's a wisdom to the the idea that we talked about before live with the materials and walking the construction site, walking the rooms. I mean, that's what you hear from people like Steve Jobs, like Elon. That's why you live in a factory floor. That's why you constantly obsess about the details the actual not of the plans, but the physical reality of the product. I mean, the insanity of Steve Jobs and Johnny I've working together on like making it perfect, making the iPhone, the early designs, prototypes, making that perfect.
Like what it actually feels like in the hand, you have to be there like as close to the metal as possible to truly understand. And you have to love it in order to do that. Right. It shouldn't be about the how much it's going to sell for all that kind of stuff you have to love the art. It's for the most part, he can probably get 90, maybe 95% of the end result, unless something is terribly gone awry by not caring with that level of almost like maniacal precision. But you'll notice that 10% for the rest of your life. So I think that extra effort, that passion, I think that's what separates good from great. If we go back to that young Ivanka, the confidence of youth, and if we could talk about your mom, she had a big influence on you. You told me she was an adventurer.
Yeah. Olympic skier and a business woman. What did you learn about life from your mother? So much. She passed away two years ago now. And she was a remarkable, remarkable woman. She was a trailblazer in so many different ways as an athlete in growing up in Communist Czechoslovakia as a fashion mogul, as a real estate executive and builder, just this all-around trailblazing business woman. I also learned from her, aside from that element, how to really enjoy life. I look back and some of my happiest memories of her are in the ocean, you know, just lying on her back, looking up at the sun and just so, so in the moment, or dancing. She loved to dance. She really taught me a lot about living life to its fullest.
And she had so much courage, so much conviction, so much energy, and a complete comfort with who she was. What do you think about that? I mean, Olympic athlete, the tradeoff between ambition and just wanting to do big things and pursuing that and giving your all to that and being able to relax and just throw your arms back and enjoy every moment of life. Like that tradeoff. What do you think about that tradeoff? I think because she was this unbelievable formidable athlete and because of the discipline she had as a child, I think it made her value those moments more as an adult. I think she was a great balance of the two that we all hope to find, and she was able to find both incredibly serious and formidable.
I remember as a little girl I used to literally traips behind her at the Plaza Hotel, which she oversaw and actually kind of was her old post office. It was this unbelievable historic hotel in New York City. And I'd follow her around at construction meetings and on job sites and there she is dancing. That's funny, that's the picture you pull up. I'm sorry. You just lagre in that picture. That's great. She had such a joy to her and she was so unabashed in her perspective and her opinions. I mean, she made my father look reserved. Whatever she was feeling, whatever she was just very expressive and a lot of fun to be around. So she, as you mentioned, grew up during the Prague Spring in 1968 and that had a big impact on human history.
My family came from the Soviet Union and then the 20th century, the story of the 20th century is a lot of Eastern Europe, the Soviet Union, tried the ideas of communism and it turned out that a lot of those ideas resulted into a lot of suffering. So what do you think? the communist ideology failed? I think fundamentally as people we desire freedom, we want agency. My mom was like a lot of other people who grew up in similar situations where she didn't like to talk about it that often. So one of my real regrets is that I didn't push her harder.
But I think back to the conversations we did have and I try to imagine what it's like. She was at Charles University in Prague, which was really like a focal point of the reforms that were ushered in during the Prague Spring and the liberalization agenda that was happening. The dance halls were opening, the student activists and she was attending university there right at that same time.
So the contrast to this feeling of freedom and progress and liberalization in the spring and then it's so quickly being crushed in the fall of that same year when Warsaw Pact countries and the Soviet Union rolled in to put down and ultimately roll back all those reforms. So for her to have lived through that, she didn't come to North America until she was 23 or 24.
So that was her life. As a young girl, she was on the junior national ski team for Czechoslovakia. My grandfather used to train her. They used to put the skis on her back and walk up the mountain in Czechoslovakia because there were no ski lifts. She actually made me do that when I was a child just to let me know what her experience had been. If I complained that it was cold out, she's like, well, you didn't have to walk up the mountain.
You'd be you'd be plenty warm if you had carried the skis up on your back up the last run. I feel like they made people tougher back then. Like my grandma, you mentioned it's funny. They go through some of the darkest things that a human being can go through and they don't talk about it and they have a general positive outlook on life.
Like that's deeply rooted in the knowledge of what life could be. Like how bad it could get my grandma survived Holodomor in Ukraine, which was the mass starvation brought on by the collectivist policies of the Stalin regime. And then she survived the Nazi occupation of Ukraine. Never talked about it. Probably went through extremely dark, extremely difficult times and then just always had a positive outlook on life.
And also made me do very difficult physical activity. Like you see, imagine just the humble you like his ideas are soft kind of energy, which I'm deeply, deeply grateful for. On all fronts, including just having hardship and including just physical hardship flowing at me, I think that's really important.
You wonder how much of who they were was a reaction to their experience. Would she have naturally had that sort of forward looking grateful, optimistic orientation or was it a reaction to our childhood? I think about that. I look at this picture of my mom and she was unabashedly herself. She loved flamboyance and glamour.
And in some ways, I think it probably was a direct reaction to this very austere controlled childhood. This was one expression of it. I think her, how she dressed and how she presented. I think her entrepreneurial spirit and love of capitalism and all things American was another manifestation of it and one that I grew up with.
Remember the story she used to tell me about when she was 14 and she was going to neighboring countries. As an athlete, you were given additional freedoms that you wouldn't otherwise be afforded in these societies under communist rule. So she was able to travel where most of her friends never would be able to leave Czechoslovakia and she would come back from all of these trips and the first place where she'd do ski races in Austria and elsewhere.
And the first thing she had to do was check in at the local police and she'd sit down and she had enough wisdom at 14 to know that she couldn't appear to be lying by not being impressed by what she saw and the fact that you could get an orange in the winter but she couldn't be too excited by it that she'd become a flight risk. So given enough detail that you're believable but not so many that you're not trusted.
And imagine that as a 14-year-old, that experience and having to navigate the world that way. And she told me that eventually all those local police officers, they came to love her because one of the things she do is smuggle that stuff back from these countries and give it to them to give their wives perfume and stockings.
So she figured out the system pretty quickly. But it's a very different experience from what I was navigating and the pressures and challenges me as a 14-year-old was dealing with. So I have so much respect and admiration for her.
Yeah, hardship clarifies what's important in life. You and I have talked about man's search for meaning. That book, having kind of an ultimate hardship, clarifies that finding joy in life is not about the environment; it's about your outlook on that environment. And there's beauty to be found in any situation.
And also in that particular situation, when everything is taken from you, the thing you start to think about is the people you love. So in the case of "Man's Search for Meaning," Victor Frankl is thinking about his wife and how much he loves her. And that love was the flame, the warmth that kept him excited.
The fun thing to think about when everything else is gone is that we sometimes forget that with the busyness of life. All this fun stuff we're talking about, like building and being a creative force in the world, at the end of the day, what matters is just like the other humans in your life, the people you love. It's the simple stuff. You know, Victor Frankl is somebody, I mean, his book... and just his philosophy in general is is so inspiring to me. But I think so many people, they say they want happiness, but they want conditional happiness. You know, when this and this, a thing happens or under these circumstances, then I'll be happy. And I think what he showed is that we can sort of cultivate these virtues within ourselves, regardless of the situation we find ourselves in.
And in some ways, I think the the meaning of life is the search for meaning in life. It's the relationships we have. And we form its experience. We have, it's how we deal with the suffering that life inevitably presents to us. And Victor Franco does an amazing job highlighting that under the most horrific circumstances. And I think it's just super inspiring to me. He also shows that you can get so much from just like small joys, like getting a little more soup today than you did yesterday. I mean, it's like, it's the little stuff. If you're a lot of yourself to love the little stuff of life, it's all around you. It's all there.
So you don't need to like have these ambitious goals and the comparison being a thief or joy, that kind of stuff. Just like it's all around us, the ability to eat like what I when I was in the jungle. And I got severely dehydrated because there's no water. You run out of water real quick. And I mean, the joy felt when I got to drink. Like I didn't care about anything else. Speaking of things that matter in life, I was I was start to fantasize about water. And that was bringing me joy. It can tap into this blanket. I was just tapping in just to stay positive. Just point your bathroom turn on the sink and watch the water.
Oh, for sure. For sure. I mean, people really, it's good to have stuff taken away for time. That's why struggle is good to make you appreciate, to have a deep gratitude for when you have it. And water and food is a big one, but water is the biggest one. I wouldn't recommend it necessarily to get severely dehydrated to appreciate water. But maybe every time you take a sip of water, you could have that kind of gratitude. There's a prayer and Judaism you're supposed to say every morning, which is basically thinking God for your body working. It's something, you know, so basic, but it's when it doesn't that that we're grateful.
So just reminding ourselves every day, the basic things of a functional body of of our health of access to to water, which so many millions of people around the world do not have reliably is very clarifying and super important. Yeah, health is a gift. Water is a gift. Yeah. Is there a memory with your mom that had a defining effect on your life? I have these vignettes in my mind, you know, seeing her in action and different capacities. I think it's a lot of times in the context of things that I would later go on to do myself. So you know, I would go every day, almost every day after school. And I'd go to the Plaza Hotel and I'd follow her around as she'd walk the hallways and just observe her.
And she was so impossibly glamorous. She was doing everything in, you know, four and a half inch heels with this and so it was almost it was almost like an it's almost like an inaccessible visual. But I think for me, when I saw her experience, the most joy tended to be by the sea. Almost always not not a pool. And I think I get this from her. I I'm a pool. They're fun. I love the ocean. I love saltwater. I love the way it makes me feel. And I think I got that from her. So we would we would just swim together all all the time. And and you know, it's a lot of what I love about Miami actually being being so close to the ocean.
I find it to be super cathartic. But a lot of my memories of my mom seeing her really like just in her bliss is is floating around and in a body of saltwater. Is there also some aspect to her being an example of somebody that could be sort of beautiful and feminine, but at the same time, powerful, a successful business woman that showed that it's possible to do that? Yeah, I think she really was a trailblazer. It's not uncommon in real estate for there to be multiple generations of people. And so on on job sites, I it was not unusual for me to run into somebody whose grandfather had worked with my grandfather and Brooklyn or Queens or whose father had worked with my mother.
And and they'd always tell me these stories about her, you know, rolling in and they'd hear the heels first. And a lot of times the story would be like, oh gosh, like, you know, really it's two days after Christmas. Like we thought we'd get a reprieve. But she was she was very exacting. You know, so I have this visual in my mind of her, you know, walking on rebar, you know, on the balls of her feet in these four-inch heels. I'm assuming she actually carried flats with her, but but I don't know. That's not the visual I have. But she was, I loved the fact that she so embodied femininity and and glamour and and was so comfortable being tough and ambitious and determined and and this unbelievable businesswoman and entrepreneur at at a time when she was very much alone, even, you know, for for me and in the development world and so many of the different businesses that I've been in, there really aren't women outside of of sales and of marketing.
You don't see as many women in the development space in the construction space, even in the architecture and and design space, maybe outside of interior design. So and she was, you know, decades ahead of me. So it was I love hearing these stories. I love I love hearing somebody who's my peer tell me about their grandfather and their father and their experience with with one of my parents. It's amazing. And she did it all in four-inch heels. And she did it. She used to say, there's nothing that I can't do better in heels. That would be that would be her exact thing. And when I complained about wearing something, you know, was like the early 90s, everything was also like uncomfortable. These fabrics and materials and and I was I was like go back and forth between being super girly and a total tomboy.
But, but she, you know, dressed me up in these things and I'd be complaining about it. And she'd say, you've all got pain for beauty, which I happened to totally disagree with because I think there's nothing worse than being uncomfortable. So I haven't accepted or internalized all of this, this wisdom, so to speak, but but it was just funny. You know, she had, she had a very specific point of view. And full of good lines, pain for beauty. It's it's funny because I mean, just even in fashion, if something's uncomfortable, to me, there's nothing that looks worse than when you see somebody like tottering around, like their heels hurt them, so they're kind of walking oddly. And, you know, it doesn't, they're not embodying their confidence in that regard. So I'm like kind of the opposite. I start with, well, I want to be comfortable.
And that helps me be confident and and in command. A foundation for fashion for you is comfort and on top of that, you build things that are beautiful. Like, doubty, you know, there's that level of comfort, but functional comfort. But I think you have to, for me, I want to feel confident and you don't feel confident when you're like pulling at a garment or, you know, hobbling on heels that don't fit you properly. And she was never doing those things either. So I don't know how she was wearing stuff like that. That's like a 40 pound V to dress. And I know this because I have it. And I wore it recently. And I mean, I got to work out walking to the elevator. Like, this is a heavy dress. And you know, it was worth it. It was great.
Yeah. She's making it look easy. But she, she makes it look very, very easy. So do you miss her? I'm so much. It's unbelievable how dislocating the loss of a, of a parent is. And her mother lives with me. Still, my grandmother, who helped raise us. So that's very special. And I can ask her some of the questions that I would have, sorry, I wanted to ask my own mom that it's hard. It was beautiful to see a garden chance to spend time with your family to see so many generations together at the table. There's so much history there. She's 97. And until she was around 94, she lived completely on her own. No help, no anything, no support. And, and now she requires really sort of 24 hour care.
And I feel super grateful that I'm able to get for that because that's what she did for me. It's amazing for me to have my children be able to grow up and know her stories, know her recipes, check dumplings and, and gulash. And Kitsalita and all the other things she used to make me and my childhood. But, but she really, she was a major, she was a major force in my life. My grandmother, she, you know, my mom was working. So, you know, my grandmother was the person who was always home every day when I came back from school. And I remember I used to shower and it would almost be like, comical. I feel like in my memory, and there was no washing machine I've seen on the planet that can actually do this.
But in my memory, I'd go to shower, you know, and I'd drop something on the bed. And I'd come back into the room after my shower and it was like folded, pressed, it was all my grandma's. Just like running after me, taking care of me. And so it's nice to be able to do that for her. Yeah. I got from her reading. My grandmother, she would, she devoured books, like devoured books. She loved the more sensational ones. So, so like some of these like romance novels, I would pick them up, the covers, but she could tell you she could look at like any royal lineage across Europe and tell you all the mistresses. All the drama. All the drama. She loved it. But her face was always buried in a book. You know, my grandfather, Deito, he was the athlete. He was, he swam professionally for, or, you know, on the national team for check a Slovakian. He helped train my mom as I was saying before in skiing.
So, he was a great athlete and she was at home and she would read and cook. And so that's something I, I remember a lot from my childhood and she would always say like I got, I got reading from her. I mean, speaking of drama, I had my English teacher in high school. They recommended a book for me by D. H. Lawrence. It's supposed to be a classic. She was like, this is a classic you should read. It's called Lady Shadow A's Lover. And so I've read a lot of classics. But that one is straight up like a romance novel about a wife who likes to cheat in with a gardener. And I remember reading this like what I can retrospect and understand why it's a classic because it was so scandalous to talk about sex in a book a hundred years ago, whatever.
所以,他是一个伟大的运动员,而她则在家里读书和做饭。这是我童年时的一个深刻记忆。她总是说,我的阅读习惯是从她那里继承的。至于戏剧,有一次我在高中时,我的英语老师推荐了一本D. H. 劳伦斯的书给我。据说这是一本经典作品。她对我说,这是一部你应该阅读的经典作品,名叫《查泰莱夫人的情人》。我读了很多经典作品,但这本书完全就像一本浪漫小说,讲的是一个喜欢和园丁出轨的妻子的故事。我还记得当时读这本书时的感觉,现在回想起来,我明白为什么它被认为是经典,因为在一百年前书中谈论性是一件非常有争议的事情。
In retrospect, you know why she recommended it. I have no, I think, maybe she's sending a signal, hey, you need to get out more or something. I don't know. Maybe she's seeking to inspire you. Exactly. Anyway, I love that kind of stuff too, but I love all the classics. And they get, they get, there's a lot of drama. Human nature, drama is part of it. So what about your dad growing up? What did you learn about life from your father? I think my father's sense of humor is sometimes underappreciated. So he had an amazing and has an amazing sense of humor. He loved music. I think my mom loved music as well, but you know, my father always used to say that in another life he would have been a Broadway musical producer, which is hilarious to think about.
But he loves, he loves music. That is fun. He's like about right. He does. Now he DJs at Mar-a-Lago. So people get a sense of, you know, he loves Andrew Lloyd Webber and all of it. Poverati, Elton John. I mean, these were the same songs on repeat my whole childhood. So I know the playlist. Probably Sinatra and all that. Love Sinatra, love Elvis. You know, a lot of a lot of the greats. So I think I got a little bit of my love from music from him, but my mom shared that as well. I think one of the things, you know, and looking back that I think I inherited from my father as well as this sort of interest or understanding of the importance of asking questions and specifically questions of the right people.
And I saw this a lot on job sites. So I remember with the old post office building, there was this massive glass topped atrium. So heating and cooling, the structure was like a Herkulean lift. We had the mechanical engineers provide their thoughts on how we could do it efficiently and so that the temperature never varied. And it was enormously expensive as an undertaking. And I remember one of his first times on the site because, you know, he had really empowered me with this project. And he trusted me to execute and to also, you know, rope him in when I needed it. But one of the first time he visits, we're walking the hallway and we're talking about how expensive this cooling system would be.
And heating system would be. And he starts stopping and he's asking duct workers as we walk what they think of the system that the mechanical engineers designed. First few fine, you know, not great answers. The third guy, because sir, if you want me to be honest with you, it's obscenely over designed. And the circumstance of a 1,000 year storm, you will have the exact perfect temperature. If there's a massive blizzard or if it's unbearably hot, but 99.9% of the time you'll never need it. And so I think it's just an enormous waste of money. And so he kept asking that guy questions and we ended up overhauling the design pretty well into the process of the whole system, saving a lot of money, creating a great system that's super functional.
And so I learned a lot and that's just one example of countless. That one really takes out of my head because I'm like, oh my gosh, we're redesigning the whole system. You know, we were actively under construction. So is, um, but I would see him do that on a lot of different issues. He would ask people on the work level what their thoughts were ideas, concepts, designs. And there was almost like a, a, a, a, a, a, a, a, a, a, a, first principles type of way he, he questioned people, trying to get down to sort of trying to reduce complex things to something really fundamental and, and simple. So I, I try to do that myself to the, to the best I can. And I think it's something I very much learned from him.
Yeah, I've seen great engineers, great leaders do just that. You see, you want to do that a lot, which is basically ask questions to push simplification. Yeah. Can we do the simpler? And like why, the basic question is like, why are we doing it this way can this be done simpler? Yeah. And not taking as an answer that this is how we've always done it. Sort of not, not allowing yourself to think it doesn't matter that's how it was done it. What is the right way to do it? And what is, and usually the simpler it is, the more correct the way.
Yeah. Has to do with costs has to do with simplicity of, of production, manufacture, but usually simple is best. And it's oftentimes not the architecture and the engineers, it's, you know, in Elon's case, probably the line worker who sees things more clearly. So I think making sure it's not just that you're asking good questions, you're asking the right people, those same good questions. That's why I like a lot of the Elon companies are really flat in terms of organizational design where the, the, anybody on the factory floor can talk directly to you on. There's no, there's not, there's not this managerial class, this hierarchy where it's travel up and down the hierarchy, which large companies all construct this hierarchy of managers where no one manager, if you ask them the question of like, what have you done this week?
The answer is like, it's really hard to come up with. Usually it's going to be a bunch of paperwork. Yeah. So like nobody knows what they actually do. So when it's flat, you can actually get as quickly as possible. When problems arise, you can solve those problems as quickly as possible. And also you have a direct, rapid, iterative process where you're making things simpler, making them more efficient, and constantly improving. So yeah, it's interesting. Well, when large, you see this in government, a lot of people get together, a hierarchy is developed and that somehow, sometimes it's good, but very often just slows things down.
And you see great companies, great, great companies, Apple, Google, meta, they have to fight against that bureaucracy that builds, the slowness that large organizations have. And to still be a big organization, act like a startup is the big challenge. It's super difficult to deconstruct that as well once it's in place. Right? It's circumventing layers and asking questions, probing questions of people on the ground level is a huge challenge to the authority of the hierarchy. And there's a tremendous amount of resistance to it. So it's how do you grow something in the case of a company in terms of a culture that can scale, but doesn't lose its connection to sort of real and meaningful feedback.
It's not easy. I've had a lot of conversations with Jim Keller, who is this legendary engineer and leader. And he has talked about, like you often have to kind of be a little bit of an asshole in the room, not in a mean way, but it's like it's uncomfortable. Like a lot of these questions that are uncomfortable, they break the kind of general politeness and civility that people have in communication. When you get a meeting, nobody wants to be like, can we do it way different? Everyone wants just just like, this lunch is coming up. You know, I have this trip planned on the weekend with the family. Everyone just wants comfort.
The humans get together, they kind of gravitate towards comfort. Nobody wants that one person that comes in and says, hey, can we like do this way better and way different? And everything we've gotten comfortable with throw it out. Not only do they not want that, but the one person who comes in and does that puts a massive target on their back. And it's ultimately seen as a threat. I mean, nobody really gets fired for maintaining the status quo. Even if things go poorly, it's the way it was always done.
Yeah, humans are fascinating. But in order to actually do great big projects, to reach for the stars, you have to have those people. You have to constantly disrupt and have those uncomfortable conversations. And really have that first principles type of orientation, especially in those large bureaucratic contexts. So amongst many other things, you created a fashion brand. What was that about? What was the origin of that?
I always loved fashion as a form of self-expression, as a means to communicate either a truth or an illusion, depending on what kind of mood you're in, but this sort of second body, if you will. So I loved fashion. And look, I mean, my mother was a big part of the reason I did, but I never thought I would go into fashion. In fact, I was graduating from warden. It was the day of my graduation. And Winter calls me up and offered me a job at Vogue, which is a dream in so many ways. But I was so focused. I wanted to go into real estate, and I wanted to build buildings. And I told her that. So I really thought that that was going to be the path I was taking.
And then very organically fashion, it was part of my life, but it came into my life in a more professional capacity by talking with my first of many different partners that I had in the fashion space about. He actually had shown me a building to buy his family had some real estate holdings. And I passed on on the real estate deal, but we forged a friendship. And we started talking about how in the space that he was in fine jewelry, there was this lack of product and brands that were positioned for self purchasing females.
So everything was about the man buying the Christmas gift, the man buying the engagement ring. The stores felt like that. They were all tailored towards the male aesthetic. The marketing felt like that. And what about the woman who had a salary and was really excited to buy herself a great pair of earrings or had just received a great bonus. And was going to use it to treat herself. So we thought there was a void in the marketplace. And that was the first category I launched Ivanka Trump fine jewelry.
And we just caught lightning in a bottle. It was really quickly after that. I met my partner who had founded Nine Wess Shoes, really capable partner. And we launched a shoe collection, which took off and did enormously well. And then a clothing collection and handbags and sunglasses and fragrance. So we caught a moment and we found a positioning for this for the self purchasing multi-dimensional woman.
And we made dressing for work aspirational. At the time we launched, if you wanted to buy something for an office context, like the brands that existed were at the opposite of exciting. Like nobody was, you know, taking pictures of like what they were wearing to work and and and posting it online with some of these classic legacy brands. Really, it felt very much like it was designed by a team of men for what a woman would want to wear to the office.
So we started creating this clothing that was feminine, that was beautiful, that was versatile, that would take a woman from the boardroom to an after school soccer game to date night with a boyfriend to a walk in the park with their husband, like all the the different ways women live their lives and creating a wardrobe for that woman who works at every aspect of their life, not just sort of the siloed professional part.
And it was it was really compelling. We started creating great brand content and we had incredible contributors like Adam Grant, who was who was blogging for us at the time and creating aspirational content for for working women. It was actually kind of a funny story, but I now had probably close to 11 different product categories and we were growing like wildfire.
And I started to think about what would be a compelling way to sort of create interesting content for the people who are buying these these different categories. And we came up with a website called Women Who Work. And I went to a marketing agency, you know, one of the fancy firms in New York. And I said, you know, we want to create a brand campaign around this multi-dimensional woman who works. And what do you think? Like, can you help us? And they come back and they say, you know, we don't like the word work. We think it should be women who do. And I just started laughing because I'm like, women who do. And the fact that they couldn't conceive of it being sort of exciting and aspirational and interesting to sort of lean into to working at at all aspects of our lives was just fascinating to me, but showed that that was part of the problem.
And I think that's why ultimately, I mean, when the business grew to be hundreds of millions of dollars in sales, we were distributed at all the best retailers across the country from, you know, Neman Marcus to Sachs to Bloomingdale's and Beyond. And I think we, it really resonated with people in an amazing way. And probably not dissimilar to how I have this incredible experience every time somebody comes up to me and tells me that they were married in a space that I had painstakingly designed. I have that experience now with with my fashion company, the number of women who will come up tell me that they they loved my shoes or they loved the handbags. And I've had women show me their engagement rings. They got engaged with us. And it's really rewarding. It's really beautiful.
我想,这就是为什么当我们的业务增长到数亿美元的销售额时,我们在全国最好的零售商都有分销,从 Neiman Marcus 到 Saks 再到 Bloomingdale's 等等。我们的产品真正引起了人们的共鸣。这种体验可能不亚于每次有人告诉我他们是在我精心设计的地方结婚时的那种美好经历。现在,我在我的时尚公司也有这样的体验,许多女性会告诉我她们喜爱我的鞋子或手提包,有的女性还会给我看她们的订婚戒指,说她们是在我们的产品陪伴下订婚的。这真是让人感到欣慰和美好。
Yeah, when I was hanging out with you and my amy, the number of women that came up to you saying they love the the clothes you made love the shoes is awesome. All these years later. All these years later. Yeah. What does it take to make a shoe where somebody would come up to you years later and just be just full of love for this thing you've created? What's what's that mean? Like what does it take to do that? Well, I still wear the shoes. I mean, that's a good starting point, right? It's a great thing that you want to wear. I feel like the the product, I think first and foremost, you have to have the right partner. So shoe building a shoe if you talk to a great shoe designer, it's like it's architecture. Like making a heel that's four inches that feels good to walk in for eight hours a day. That is an engineering feat.
And so I found great partners in everything that I did. My my shoe partner had founded nine west. So he really knew what went into making a shoe wearable and comfortable. And then you overlay that with great design. And we also created this really comfortable beautifully designed super feminine product offering that was also affordably priced. So I think it was like the trifect of those of those three things that that made that I think it made it stand out for so many people.
Can you speak to I don't know if it's possible to articulate, but can you speak to the process you go through from my idea to the final thing? Like what you go through to bring an idea to life. So not being a designer and this was true in real estate as well. I was never the architect. So I didn't necessarily have the pen and in fashion the same. I was kind of like a conductor. I was I knew what I liked and didn't like. And I think that's really important. And that became honed for me over time. So I would have to sit a lot longer with something earlier on than later when I had more refined my aesthetic point of view.
And so I think first of all, you have to have a pretty strong sense of of what resonates with you. And then as in the case of my fashion business as a grew and became quite a large business and I had so many different categories. Everything had to work together. So I had individual partners for each category. But if we were selling at Neiman Marcus, we couldn't have a pair of shoes that didn't relate to address that didn't relate to a pair of sunglasses and handbags all on the same floor. So in the beginning, it was much more collaborative.
首先,我认为你需要对什么与你产生共鸣有一个很强的感觉。就像我经营的时尚业务一样,随着它的发展和壮大,涵盖了很多不同的类别。一切都必须协调运作。所以,我为每个类别都找了专门的合作伙伴。但如果我们在 Neiman Marcus 销售产品,不能出现一双鞋跟一件连衣裙不搭配,或者一副太阳镜和手袋不协调的情况,这些都在同一个楼层出售。所以在最开始的时候,协作是非常重要的。
As time passed, I really sort of took the point on deciding and this is the aesthetic for the season. These are the colors we're going to use. These are fabrics. And then working with our partners on the execution of that. But I needed to create an overlay that allowed for cohesion as the collection grew. And that was actually really fun for me because that was a little different. I was typically initially responding to things that were put in front of me and towards the end, it was my partners who were responding to the things that myself and my team. But it's still, I always wanted to bring the best talent in. So I was hiring great designers and print makers and copy writers. So I had this almost like that conductor analogy. I had this incredible group of, in this case, women assembled who had very strong points of view themselves and created a great team.
So yeah, I mean, great team is really sort of essential. It's the essential thing behind any successful story. But there's this thing of taste. It's really interesting. It's hard to kind of articulate what it takes, but basically knowing A versus B will looks good. Or without AB comparison to say like, if we did, if we changed this part, that would make it better. That sort of designer taste that's hard to make explicit what that is. But the great designers like have that taste. Like this is going to look good. And it's not actually, again, the Steve Jobs thing is not the opinion, like you can't pull people asking what looks better. It's you got to have the vision of that. And as you said, you also have to develop eventually the confidence that your taste is good such that you can like curate your direct teams.
You can argue that no, no, no, this is right. Even when there's several people that say this doesn't make any sense. If you have that vision, have the confidence, this will look good. That's how you come up with great designs. It's a mix, it makes sure great taste is you develop over time and the confidence. And that's a really hard thing, especially. And I think one of the things that I love most about all of these creative pursuits is that ability to work with the best people right now. I'm working with my husband. We have this 1400 acre island in the Mediterranean. And we're bringing in the best architects and the best brands. But to have a point of view and to challenge people who are such artists respectfully, but not to be afraid to ask questions, it takes a lot of confidence to do that. And it's hard.
So these are actually just internal early rendering. So we're in the process of doing the master planning now. But this is beautiful. Yeah, this is an early vision. Yeah. It's going to be extraordinary. A man's going to operate the hotel for us. And they're going to be villas. And we have carbon who's going to be doing the food and beverage. But it's amazing to bring together all of this talent. And for me to be able to play around and flex the real estate muscles again and have some fun with it. It is the real estate that design the art. How hard is it to bring something like that to life? Because that's like, that looks surreal out of this world.
Well, especially on an island. It's challenging, meaning the logistics of even getting the building materials to an island or no joke. But we will execute on it. So and it may not be this, this is sort of as I said early conceptual drawings, but it gives a sense of sort of wanting to honor the topography that exists. And this is obviously very modern. But making it feel right in terms of the context of the vegetation and the train that exists is and not just have a beautiful glass box. Obviously you want glass. You want to look out and see that gorgeous blue ocean. But how do you do that in a way that doesn't feel generic and isn't a squandered opportunity to create something new?
Yeah, and it's integrated with a natural landscape. It's a celebration of the natural landscape around it. So I guess you start from this dream like because this feels like a dream. And then when you're faced with the reality of the building materials and all the actual constraints of the building, then it evolves from there. Yeah, and so much, I mean so much of architecture you don't see, but it's decisions made. So how do you create independent structures where you look out of one and don't see the other? How do you ensure the sort of the stacking and the master plan works in a way that's harmonious and view corridors and all of those elements, all of those components of decision making are super appreciated, but not often thought about.
What's a view corridor? Like to make sure that the top unit, you're not looking out and seeing a whole bunch of units, you're looking out and seeing the ocean. So that's where you take this and then you start angling everything and you start thinking about, well, in this context, do we have green roof? So if there's any hint of a roof, it's camouflage by vegetation that matches what already exists on the island where the engineers become very important.
Yeah, so how do you build into a mountain side while being sensitive to the beauty and of the island? It's almost like a mathematical problem. I took a class competition geometry in grad school where you have to think about these view corridors. It's like a math problem. Yeah. Well, but it's also an art problem because it's not just about making sure that there's not occlusions to the view. You have to figure out when there's occlusions, what's a vegetation? Do you have to figure all that out?
There's probably every single room, every single building is a thing that adds extra complexity. And then the choices, how does the Sun Rise and Set? Yeah. So how do you want to angle the hotel and relation to the Sun Rise and the Sun Set? Do you obviously want people to experience those? So which do you favor? The directionality of the wind? And on an island, and in this case, the wind is coming from the north and the vegetation is less lush on the northern end. So do you focus more on the southern end and have the horseback riding trails and amenities up towards the north?
So there are these really interesting decisions and choices you get to reflect on. That's a fascinating sort of discussion to be having. And probably there's actual constraints on infrastructure issues. So all the thoughts of the land. Yeah, well, the rate of the land, if it's super steep, so also finding the areas of topography that are flatter but still have the great views. So it's fun. I think real estate and building, it's like a giant puzzle. And I love puzzles. Every piece relates to another and it's all sort of interconnected.
Yeah, like you said, no post office, like every single room is different. So every single room is a puzzle when you're doing their renovation. That's fascinating. And if you're not thoughtful, it gets like at best, really quirky. At worst, completely ridiculous. Quirky is such a funny word. I'm sure you've walked into your fair share of like quirky rooms. And sometimes like that's charming. But most often, it's charming when it's intentional through like smart design.
Yeah, you can tell if it's by accident or if it's intentional, you can tell so much. I mean, the whole hospitality thing is it's not just like how it's designed. It's how once the thing is operating for the hotel, like how everything comes together, the culture of the place. And the warmth. Yeah, like I think with spaces, they, you can feel like the soul of a structure. And I think on the hotel side, you have to think about like flow of traffic. You saw these things.
When you're building condominiums or your own home, you want to think about like the warmth of a space as well. And especially with super modern design, sometimes like warmth is sacrificed. And I think there is a way to sort of marry both. And that's where you get into sort of the interior design elements and disciplines and how fabrics can create tremendous warmth in a space, which is otherwise sort of colder, raw building materials.
And that's a really interesting, like how texture matters, how color matters. And I think oftentimes interior design is not, it doesn't take the same priority. And I think that underestimate the impact it can have on how you experience a room or a space. Yeah, especially when it's working together with the architecture. Yeah, fabrics and color, it's so interesting. Finishes, you know, the choice of wood. That's making me feel horrible about the space we're sitting.
It's like black curtains. The warmth, I need to work on this. This is a big two. This is a big two item. You're making me feel like you made me, there may be like a woman's touch. I actually, I appreciate the vegetation. Yeah, fake plants. You know what I love about this space, though, is it is like you come through like every single element. There's a story behind it.
So it's not just some, you didn't have some interior design or curate your bookshelf. You know, there's like nobody came in here with books by the yard. This is basically an IKEA. Like this is not, this is not deeply thought through, but it does bring me joy. Yeah. Which is one way to do design, as long as you're happy, that usually means if your taste is decent enough, that means others will be happy or we'll see the joy radiate through it.
But I appreciate you were grasping for complements. You've been she got that. No, I actually, I love it. I love it. Do you have like a little, I love this guy. Yeah, you're holding onto a monkey looking at a, at a, at a human skull, which is particularly irrelevant. And this, I mean, I feel like you've really thought about all of these. Yeah. There's, there's robot, I don't know, I mean, I don't know how much you looked into robots, but there's, there's a way to communicate love and affection from a robot that I'm really fascinated by. And a lot of cartoonists do this too. You have to, when you create cartoons and non-human-like entities, you have to bring out the joy. So with Wally or robots and, and Star Wars, to be able to communicate emotion, to anger and excitement through robots really interesting to me. And people that do it successfully are awesome. To make you smile. Yeah, that makes you smile for sure. There's a longing there.
How do you do that successfully as you, as you bring them your projects to life? I think there's, there's so many detailed elements that I think artists know well. But one basic one is something that people know and you know, know because you have a, a dog is the excitement that a dog has when it, when you first show up, just the recognizing you and like, catching your eye and just showing his excitement by wiggling his butt and tail and all this kind of this, this, intense joy that overtakes his body, that, that moment of recognizing something. Yeah. It's the double take that you, that, that moment of like where this joy of recognition takes over your whole cognition and you're just like, uh, there and there's a connection. And then the other person gets excited and you both get excited together. Um, it's kind of like that feeling, what would I put it? You know, like when you go to airports and you get to see people uh, who haven't seen each other for a long time, also, and recognize each other in their meeting and they're all like, run towards each other in the hug, and that moment, uh, whether that's awesome to watch or somebody's joy.
And dogs that will have that every time you could walk into the other room to get a glass of milk and you come back and your dog sees you like, it's the first time. Yeah. So I love replicating that in robots. They actually say children, like one of the reasons why peekaboo is so successful is that they actually don't remember not having seen you a few seconds prior. There's a there's a term for it. But I remember as, um, when when my kids were younger, you leave the room and you walk back in 30 seconds later and they experienced the same joy as if you had been, you know, gone for four hours. And uh, we grew out of that. We become very used to one another. I kind of went up forever to be excited by the peekaboo phenomena. The simple joy is we're talking about on fashion, having the confidence of taste to be able to sort of push through on this idea of a design.
But you've also mentioned, um, in some of you admires Rick Rubin in his book, The Creative Act. It has some really interesting ideas. And one of them is to accept, uh, self-doubt and imperfection. So is there some battle within yourself that you have on sort of, um, striving for perfection and for the confidence and always kind of having it together versus like accepting that things are always going to be imperfect? I think every day. I think I wake up in the morning and, you know, I want to be better. I want to be a better mom. I want to be a better wife. I want to be more creative. I want to be physically stronger. And, um, and so that very much lives within me all the time. You know, I think I, I also grew up in the context of being the child of two extraordinarily successful parents. And that could have been debilitating for me.
And I saw that and a lot of my friends who grew up in circumstances similar to that. They were afraid to try for fear of not measuring up. And I think somehow early on I learned to kind of harness the fear of not being good enough, not being competent enough. Um, and I harnessed it to make me better, um, and, and to push me outside of my comfort zone. So I think that's always lived with me. And, and, and I think it probably always will, I think you have to have humility in anything you do that you could be better. And, and strive for that. I think as you get older, it softens a little bit as you have more reps. You know, as you have more examples of, of having been thrown in the deep end, um, and figured out how to swim, you, you get a little bit more comfortable in your sort of abstract competency. But if that fear is not in you, I think you're not challenging yourself enough.
Harnessed the fear. Um, the other thing he writes about is intuition. That you need to trust your instincts and intuition. That's a very recruitment thing to say. So what percent of your decision-making is intuition or what percent is through rigorous, careful analysis? Would you say? I think it's both. It's like trust would verify. You know, I think you, I think that's also where, um, age and experience comes into play because I think you always have sort of a gut instinct. But I think intuition, like well-honed intuition comes from a place of, of accumulated knowledge, right?
So oftentimes when you feel really strongly about something, it's because you've sort of, you've been there, like you know what's right. Um, or on a personal level, if you're acting in accordance with your core values, you know, it just feels good. And even if it would be the right decision for others, if you're acting outside of, of your sort of integrity or core values, it doesn't feel good. And, and it, you know, your intuition will signal that to you. You'll never be, you'll never be comfortable.
So I think because, because of that, I start oftentimes with my intuition and then I, and then I put it through like a rigorous test of, of, uh, whether that is, in fact, true. Um, but very seldom do I go against what my initial instinct was, not at least at this point in my life. Yeah, I had actually a discussion yesterday with a big-time business owner investor who's talking about being impulsive and following that. Like on a phone call, shifting like the entire everything, like giving away a very large amounts of money and moving it in another direction on an impulse, making a promise that he can't at that time deliver, but knows if he works hard, he'll deliver and all doing just following that impulsive feeling.
And he said now that, you know, he has, has a family that probably some of the impulse is quite a down a little bit. He's more rational and thoughtful and so on, but wonders whether it's sometimes good to just be impulsive and to just trust your gut and just go with it. Don't deliberate too long because then you won't, you won't do it. It's interesting. It's the confidence and stupidity maybe of youth that leads to some of the greatest breakthroughs and it's like, there's a cost to wisdom and deliberation. There is, but I actually think in this case, as you get older, you may act less impulsively, but I think you're more like attuned with, you have more experience, so your gut is like more well-honed.
You know, so your instincts are more well-honed. I think I found that to be true for me. You know, it doesn't feel as like reckless as when I was younger. Amongst many other things, you were on the apprentice. People love you on there. People love the show. So what did you learn about business, about life from the various contestants on there? Well, I think you can learn everything about life from show workers. So I'm just, I'm going to go with that. It's amazing. But you know, it was such a wild experience for me because I was quite young when I was on it just getting started in business.
And it was the number one television show in the country. And it went on to be syndicated all over the world. And it was just this wild, like phenomenal success. So, you know, business show had never, had never crossed over in this sort of way. So it was really a moment in time. And you had regular apprentice and then the celebrity apprentice. But, but the tasks, I mean, they went on to be studied at business schools across the country. So every other week, I'd be reading case studies of how the apprentice was being examined and taught to classes in this university in Boston.
Or, you know, so it was extraordinary. And this was like a real-life classroom I was in. So I think because of the nature of the show, you learn a lot about, you know, teamwork. And you're watching it and analyzing it real time. You learned a lot about, a lot of the tasks were very marketing-oriented because of, you know, the short duration of time they had to execute. A lot of you learned a lot about time management because of that short duration. So, you know, almost every episode would devolve into people hysterical over the fact that they had 10 minutes left to with this Herkulean lift ahead of them.
So it was a fascinating, it was a fascinating experience for me. And we would be filming. I mean, we would film first thing in the morning at like five or six a.m. in Trump Tower oftentimes, like in the lobby of Trump Tower, that's where the war rooms and board rooms of the candidates were, the contestants were. And then we would go up in the elevator to our office. We would work all day and then we'd come down and we'd evaluate the tasks. It was a weird like real-life television thing experience in the middle of our sort of on the book ends of our work day.
So it was intense. So you're like curating the television version of it and also living it. And oftentimes there was like an overlay, like there were episodes that they came up with brand campaigns for my shoe collection or my clothing line or design challenges related to a hotel that was responsible for building. So there was this unbelievable crossover that was obviously great for us from a business perspective that is sometimes surreal to do experience. What was it like? Was it was it scary to be in front of a camera when you know so many people watch? I mean, that's a new experience video at that time, just the number of people watching. Yeah. Was that weird? It was really weird. I really struggled watching myself on the episodes. I still to this day like television as a medium, like the fact that we're taping this. I'm more self-conscious than if we weren't. I just, it's um, hey, I have to watch myself.
After we record this before I publish it, I have to listen to my stupid self talk. So you're saying it doesn't get better. It doesn't get better. I still, I feel myself. I'm like, does my voice really sound like that? Why do I do this thing or that thing? I find it some people are super at ease and who knows? Maybe they're not either, but some people feel like they're stupid. You know, my father was. I think like who you saw as who you get. And I think that made him so effective in that medium, because he was just himself and he was totally unself-conscious. I was not. I was totally self-conscious. So it was extraordinary, but also a little challenging for me. I think certain people are just born to be entertainers. Elvis, on stage, they come to life. Yeah. This is where they, this is where they're truly happy. I've met, I've met guys like, they're like great rock stars. This is where they feel like they belong on stages.
It's not just the thing they do and they, they're certain aspects, they all certain aspects, they don't know. This is where, this is where they're alive. This is where they, they've always dreamed of being. This is where they want to be forever. Michael Jackson was like that. Michael Jackson. Some pictures of you hanging out like Jackson. That was cool. He came once to a performance. I wanted to be one moment in time. I wanted professional ballerina. Okay. And I was, you know, working really hard. I was going to the School of American Ballet. I was dancing at the Lincoln Center in the Nutcracker. I was super serious, you know, nine, 10-year-old. And, and my parents came to a Christmas performance of the Nutcracker and my father brought Michael Jackson with him. And everyone was so excited that all the dancers, they wore one glove. But I remember he was so shy.
He was so quiet. And when you'd see him like in a smaller group, settings. And then you'd watch him walk on to stage. And it was like a completely different person. Like the vitality that came into him. And you say that's like someone who was born to do what he did. And, and I think there are a lot of performers like that. And I, I just in general love to see people that have founds the thing that makes them come alive. Yeah. Like I, as I mentioned, went to the jungle recently with Paul Rosley. And he's a guy who just belongs in the jungle. Yeah. Like that's the guy where like when I, I got it just to go with him from the city to the jungle. And you just see this person change of the happiness. The joy he has when he first is able to jump in the water the Amazon river and to feel like he's home with the crocodiles and all that.
And with his, with his calling friends and probably dances around in the trees with the monkeys. So he, like he, this is, this is where he belongs. And I love seeing that. You felt that. I mean, I watched the interview you did with him. And and you felt that like you, his passion and enthusiasm, like it radiated and capped. I mean, I love animals like I love all animals. Never loved snakes so much. And he almost made me, now I appreciate the beauty of them much more than I did prior to listening to him speak about them. But it's an infectious thing. He actually, we're talking about skyscrapers before. I loved he called trees skyscrapers of life. And I thought that was so great.
Yeah. And they are. They're so big. I mean, just like skyscrapers or large buildings, they also represent a history, especially in Europe. I like to think, look at all these ancient buildings. You like to think of all the people throughout history that have looked at them, have admired them, have been inspired by them. You know, they're the great leaders of history. And Francis, like Napoleon, just the history that's contained within a building, you almost feel the energy of that history. You can, feel the stories emanate from the buildings.
And that same way, when you look at giant trees that have been there for decades, for centuries, in some cases, you feel the history, the stories emanate. I got just to climb some of them. So you feel like there's a visceral feeling of the power of the trees. It's cool. Yeah. That's an experience I'd love to have. Be that disconnected. Yeah. Being in the jungle, among the trees, among the animals, you remember the year forever apart in nature. You're you're fundamental our nature that this isn't a earth is a living organism and you're a part of that organism. And that's humbling, it's beautiful.
And you get to experience that in a real, real way. It sounds simple to say, but when you actually experience it, it stays with you for a long time, especially if you're out there alone. I got I got a chance to spend time in the jungle solo, just by myself. And you you sit in the fear of that, in the simplicity of that, all of it, and just no sounds of humans anywhere. You're just sitting there and listening to all the monkeys in the birds trying to have sex with each other all around you. Just screaming.
And there's like romance. I mean, I'm romanticized there's like birds that are monogamous for life. Like mucaws, you could see like two of them flying. They're also by the way, screaming each other. I always wonder like are they arguing or is this their love length? That's very fun. You just have these like two birds that you know have been together for a long time. And they're just screaming at each other and they're really funny. Because there aren't that many animal species that are monogamous and you highlighted one example.
But they literally sound like they're just they're bickering. But maybe to them is beautiful. You know, I don't want to judge what they do sound very loud and very obnoxious. But I'm it's all that it's just I don't know. I think it's so humbling to like feel so small too. Like I feel like when we get busy and when we're running around it's easy to feel we're so in our head and we feel sort of so consequential like in the context of even our own lives. And then you find yourself in a situation like that.
And it's I think you feel so much more connected knowing how miniscule you are in the broader sense. And I feel that way when I'm on the ocean on a surfboard. You know, you just it's it's really humbling to be so small and it's that vast sea. And it feels um It feels really beautiful. You know, with no noise, no chatter, no distractions. Just um just being in the moment. And it sounds like you experienced that in a very, very real way in in the Amazon.
Yeah, the power of the waves is cool. I love swimming out into the ocean and feeling the power of the ocean. Yeah. And you see how you just like the speck and you can't fight it, right? You just have to sort of be in it. And I think in surfing one of the things I love about it is feel like a lot of water sports are like manipulating the environment, you know, and there's something that can be a little like violent about it. Like you look at wind surfing and um, whereas with surfing, you're like in harmony with it.
So you're not fighting it. You're you're flowing with it and you still have like the agency of choosing which waves you're going to surf and um, you sit there and you you read the ocean and and and you learn to understand it. But you can't control it. What's it like to like like fall in your face when you're trying to surf? Like what? I haven't surfed before. It just feels like I always see videos of when everything goes great. I just wonder when it doesn't.
Those are the ones people post. No. Um, well, I actually had the unique experience of one of my first time surfing. I only learned a couple of years ago. So I'm not good. I just love it. I love everything about it. I love the physicality. I love being in the ocean. I love the everything about it. The hardest thing with surfing is paddling out because when you're like committing you catch a wave, obviously, sometimes like, you know, you flip over your board and that doesn't feel great.
But when you're in sort of the line of impact and you've maybe surfed a good wave in and now you're going out for another set and you get sort of stuck in that impact line, there's like nothing you can do. You just sort of sit there and you try to dive underneath it and it will pound you and pound you. So I've been stuck there while you know, four or five, six waves just like crash on top of your head and the worst thing you can do is get reactive and you know, um, and scared and and try and fight against it. You kind of just have to flow with it until inevitably there's a break and then paddle like hell back out to the line or to the beach, whatever, you know, whatever you're feeling. But it's that's to me, that's the hardest part, um, the paddling out.
How did life change when your father decided to run for president? Wow, everything changed. You know, almost almost overnight. We learned that he was planning to announce his candidacy two weeks before he actually did. And nothing about our lives had been constructed with politics in mind, you know, a most often when people are exposed to politics at that level, that sort of national level, there's first like city council run and then maybe a state level run and and maybe, maybe, you know, Congress senator ultimately the presidency. So it was unheard of for him never to have run a campaign and then run for president and and win.
So it was, um, it was an extraordinary experience. There was so much intensity and so much scrutiny and and and so much noise. So that took for sure like a moment acclimated to not sure I ever fully acclimated, but it it definitely was, um, it was a super unusual experience. But I think then the the process that unfolded over over the next couple of years was also like the most extraordinary growth experience of my life. You know, suddenly I was going into communities that I probably never would have been to and I was talking with people who in 30 seconds would reveal to me their deepest insecurity, their gravest fear, their wildest ambitions, all of it with the hope that in telling me that story, it would get back to a potential future president of the United States and have impacts for their family, for their community.
So the level of candor and vulnerability people have with you is on like anything I've ever experienced. And I had done the apprentice before people may know, um, who I was in some of these situations that I was going into, but they wouldn't have shared with me these things that you got the impression that oftentimes our own spouses wouldn't know and they wouldn't do so within 30 seconds. So you learn so much about what motivates people, what drives people, what their concerns are, and you grow so much as a result of it.
So when you're in the White House people, unlike in any other position, people have a sense that all the troubles are going through, maybe you can help. Yeah. So they put it all out there. And they do so in such a raw, vulnerable and real way. It's, it's shocking and eye opening and, um, and super motivating. I remember once I was in New Hampshire and I'm early on right after my father had had announced his candidacy and a man walks up to me in, in the greeting line. And within around five seconds he had started to tell me a story about how his daughter had died of an overdose.
Um, and how he was worried his son was also addicted to opioids, his daughter's friends, his son's friends and, and it's heartbreaking. It's heartbreaking and it's, it's something that I would experience every day in talking with people. And those stories just stay with you always. You know, I, I, uh, took a, uh, uh, long road trip around the United States in my 20s. I'm kind of thinking of doing it again. Just, just for like a couple of months for that exact purpose. And you can get these stories when you go to like a bar in the middle of nowhere and just sit and talk to people and they start sharing.
And it's, it reminds you of like how beautiful the country is. It reminds you several things. One that people, uh, it shows you that there's a lot of different accents. That's for one. But aside from that, the people are struggling with all the same stuff. Yeah. And, um, at least at that time, I wonder what it is now, but at that time, I don't remember on the surface, there's like political divisions, there's, uh, Republicans, the Democrats and so on. But like underneath it, there are people who are all the same, the concerns are all the same. There's not that much of a division.
Right now, the, the surface division has been amplified even more, maybe because of social media. I don't know why. Uh, so I would love to see what the country is like now, but I suspect probably it's still not as divided as it appears to be on the surface. What the media shows, what the social media shows. Um, but what did you experience in terms of the, the division? Well, I think a couple of reactions to what you just said, I think the first is your, when you connect with people like that, you are so, um, inspired by their courage, you know, in the face of adversity and, um, their resilience and it's like a truly remarkable experience for me. The campaign lifted me out of a bubble. I didn't even know I was in. You know, I grew up on the upper east side of New York and I felt like I was well traveled and well educated and I believe that I believed at the time that I'd been exposed to divergent viewpoints and I realized during the campaign how limited my exposure had been relative to what it was becoming.
So there was a lot of, there was a lot of growth in that as well. But I do think, you know, you think about the vitriol on politics and, um, you know, whether it's worse than it's been in the past or not, I think that's up for debate. I think, you know, there have been, there have been duels. There's been screaming and there's, you know, politics has always been a blood sport and it's always been incredibly vicious. I think in the toxic swirl of social media, it's more amplified and there are, there's more sort of democratization around participating in it, perhaps. And it seems like the voices are louder, but it's always been, it feels like it's always been that. But I don't believe most people are like that and, and, you know, you meet people along the way and they're not leading with what their politics are, you know, they're telling you about their hopes for themselves and their communities.
And, uh, and it makes you feel that we are a whole lot less divided than, um, you know, the media and, uh, others would have us believe. Although I have to say, having duels that sounds pretty cool. Maybe I just romanticize westerns, but anyway, all right, my misclonings with movies. Okay. But it's true. Like you read some of the stuff, like in terms of what politics used to be in the history of the United States, those, those folks went pretty rough, like way rougher actually, but they didn't have social media. So they had to go like real hard. And the media was rough too. So all like the fake news, all of that. That's not recent. It's been nonstop. You know, I look at the surface division, the surface bickering, and that might be like just a feature of democracy. That's, it's not a bug of democracy. It's a feature where in the constant conflict, and it's the way we result, we tried to figure out the right way forward.
So in the moment, it feels like people are just tearing each other apart, but really we're trying to find the way where like in the long arc of history, it will look like progress. But in the short term, it just sounds like people making stories up about each other and calling each other names and all this kind of stuff. But in the, there's a purpose to it. I mean, that's what freedom looks like, I guess, is what I'm trying to say in as better than the alternative. I think that the vast majority of people aren't participating in it. Sure. Yes. That's true. I think there's the minority of people that are doing most of the yelling and screaming. And the majority of Americans just want to send their kid to a great school and want their communities to thrive and want to be able to realize their dreams and aspirations. So I saw a lot more of that than it would feel obvious if you looked at like a Twitter feed.
What went into your decision to join the White House as an advisor? You know, the campaign I never, I never thought about joining. It was kind of like get to the end of it. And when it started, I was like everything in my life was almost firing on all cylinders. I two young kids at home during the course of the campaign. I ended up, I was pregnant with my third. So this young family, my businesses, real estate and fashion and working alongside my brothers, running the Trump Hotel collection. My life was full and busy. And so there was a big part of me that was just wanted to get through, just get through it without really thinking forward to what the implications were for me. But when my father won, he asked Jared and I to join him. And in asking that question, you know, keep in mind, he was a total outsider. So there was no bench of people as he would have today.
He had never spent the night in Washington, to see you before staying in the White House. And so when he asked us to join him, he trusted us. He trusted in our ability to execute. And there wasn't a part of me that could imagine the 70 or 80 year old version of myself looking back and having been okay with having said no. And going back to my life as I knew it before. I mean, in retrospect, I realized there is no life as you know before. But just the idea of not saying yes, wherever that would lead me. And so I dove in.
I was also during the course of the campaign, I was just much more sensitive to the problems and experiences of Americans. I gave you an example before of the father and new Hampshire. But even just in my consumption of information, I had a business that was predominantly young women, many of which were thinking about having a kid had just had a child, were planning on that life event. And I knew what they needed to be able to show up every day. And realize the stream for themselves. And the support structures they would need to have in place.
And I remember reading this article at the time in one of the major newspapers of a woman she had had a very solid job working at one of the blue chip accounting firms. And the recession came. She lost her job around the same time as her partner left her. And over a matter of months, she lost her home. So she wound up with her two young kids after bouncing around between neighbors living in their car. She gets a call back from one of the many interviews she had done for a second interview where she was all but guaranteed the job should that go well.
And she had arranged childcare for her two young children with a neighbor in her old apartment block. And the morning of the interview, she shows up and the neighbor doesn't answer the doorbell. And stanza five, 10 minutes doesn't answer. So she has a choice. Does she go to the interview with her children or does she try to cancel? She gets in her car drives to the interview, leaves her two children in the back seat of the car with the window cracked, goes into the interview and gets pulled out of the interview by police because somebody had called the cops after seeing her children in the back seat of the car.
She gets thrown in jail. Her kids get taken from her and she spends years fighting to regain custody. And I think about that's an extreme example. But I think about something like that. And I say if I was the mother and we were homeless, like what I've gone to that interview. And I probably would have. And that is not like an acceptable situation. You know, so you hear stories like that and then you get asked, well, you come with me. And it's really hard to say no.
I spent four years in Washington. I feel like I left it all in the field. I feel really good about it. And I feel really privileged to have been able to do what I did. A chance to help to help many people saying no means you're kind of turning away from those people. You felt like that to me. Yeah. Yeah. But then it's the turmoil of politics that you're getting into. It really is a leap into the abyss.
What was it like trying to get stuff done in Washington? In this place where politics is a game, it feels that way maybe from an outsider perspective. And you go in there trying, given some of those stories trying to help people. What's it like to get anything done? It's an incredible cognitive lift. That's a nice way to put it.
Yeah. To get things done, you know, there are a lot of people who would prefer to cling to the problem. And they're talking points about how they're going to solve it, rather than sort of roll up their sleeves and do the work it takes to build coalitions of support and find people who are willing to compromise and move the ball. And so it's extremely difficult. And, you know, Jared and I talk about all the time. It probably should be because these are highly consequential policies that impact people's lives at scale. It shouldn't be so easy to do them. And they are doable. But it's challenging.
You know, one of the first experiences I had where it really was just a full grind effort was with tax cuts and the work I did to get the child tax credit doubled as part of it. And it just meant meeting after meeting after meeting after meeting with lawmakers, convincing them of why this is good policy. Going into their districts, campaigning in their districts, helping them convince their constituents of why it's important, of why childcare support is important, of why paid family leave is important, of different policies that impact working American families. So it's hard, but it's really rewarding.
And then to get it done, I mean, just the child tax credit alone, 40 million American families got an average of $2,200 each year as a result of the doubling of the child tax credits, that's one component of tax cuts. When I was like researching this stuff, you just get to think the scale of things, the scale of impact is 40 million families. Each one of those is a story, is a story of struggle of trying to give a large part of your life to a job while still being able to give love and support and care to a family and to kids and to manage all of that.
Each one of those is a little puzzle that they have to solve and it's the life and death puzzle. You can lose your home, your security, you can lose your job, you can scooch stuff up with parenting. So you can mess all that up and you're trying to hold it together and government policies can help make that easier or can in some cases make that possible. And you get to do that of scale not of like five or 10 families, but like 40 million families. And that's just one thing.
Yeah, the people who shared with me their experience and during the campaign, it was what they hope to see happen. Once you were in there, it was what they were seeing, what they were experiencing, the result of the policies. And that was the fuel. You know, on the hardest days, like that was the fuel. Child tax credit. I remember visiting with a woman Brittany Houseman. She came to the White House. She had two small children. She was pregnant with her third. Her husband was killed in a car accident. She was in school at the time.
Her dream was to become a criminal justice advocate. That was no longer on the table for her after he passed away. And she became the sole learner and provider for her family. And she couldn't afford childcare. She couldn't afford to stay in school. So she ended up creating a childcare center in her home. And her center was so successful because in part of different policies we worked on, including the childcare block grants that went to the state. She ended up opening additional centers. I visited her, one of them in Colorado.
Now she has like a huge focus on helping teenage moms who don't have the resources to afford quality childcare for their kids come into her centers and programs. And you know, it's stories like that of the hardships people face, but also what they do with opportunity when they're given it. That really like powers you through tough moments when you're in Washington. Well, what can you say about the process of like bringing that to life? So the child tax credits. So doubling them from a thousand to a thousand per child.
Well, like, what are the challenges of that getting people to compromise? I'm sure there's a lot of politicians playing games with that because maybe it's a Republican that came up with an idea or a Democrat that came up with an idea and so they don't want to give credit to the idea. And that's probably all kinds of games happening where they, when the game is happening, you probably forget about the families. Each politician thinks about how they can benefit themselves. You forget like the serving part of the role you're supposed to be in.
There were definitely people I met with in Washington who I felt that was true of. But you know, they all go back to their districts. And I assume that they all have similar experiences to what I had where people share their stories. So there'd be something really cynical about thinking they forget. But you know, some do. You help get people together. What's that take? Trying to get people to compromise, trying to get people to see the common humanity. Well, I think first and foremost, you have to be willing to talk with them.
So, you know, one of the policies I advocate for was paid family leave. We left in nine million more Americans had it through a combination of securing it for our federal workforce. I had people in the White House who were pregnant who didn't have access to to paid leave. So we want to keep people attached to the workforce yet when they have an important life event like a child. We create an impossibility for that.
You know, some people don't even have access to to unpaid leave if they're part-time workers. And so that and and then we also put in place the first ever national tax credit for workers making under $72,000 a year where employers could then offer it to their workers. That was also part of tax cuts. So, you know, part of it is is really taking taking the arguments as to why this is good smart, well-designed policy to people.
And you know, it was one of my big surprises that on certain policy issues that I thought would have been well-socialized. The policies that existed were never shared across the aisle. So people just lived with them. Maybe in hopes that one day they would have the votes to get exactly what they want. But I was surprised by how little discussion there was. So, I think part of it is be willing to have those tough discussions with people who may not share your viewpoint and be an active listener when they point out flaws. And they have suggestions for for changes. Not believing that you have a monopoly on good ideas. And I think there has to be a lot of humility in in architecting these things.
And and a policy should benefit from that type of well-rounded input. Yeah, be able to see, like you said, well-designed policies. There's probably like the details are important too. Like there's just just like with architecture and you walk the rooms. There's probably really good designs of policies, like economic policy that helps families that delivers the maximum amount of money or resources to families that needed and is not a waste of money. So like that there's probably really nice designs there. Nice ideas that are bipartisan that has nothing to do with politics. It has to do with just great economic policy. It's great policies. And that requires listening.
Quares trust too. Like I learned tax cuts was really interesting for me because I met with so many people across the political spectrum on advancing that policy. I really figured out who was willing to deviate from their talking points when the door was closed and who wasn't. And I take some courage to do that. Especially without surety that it would actually get done. Especially if they've campaigned on something that was slightly different. And not everyone has that courage. So through tax cuts I learned the people who did have that courage. And I went back to that well time and time again on policies that I thought was were important.
You know some were bipartisan. The Great American Outdoors Act is something it's incredible policy that yeah it's amazing. It's one of the largest pieces of conservation legislation since the national park system was created. And you know over 300 million people visit our national parks. The vast majority of them being Americans every year. So this is something that is real and beneficial for people's lives getting rid of the different maintenance permanently funding them. But there are other issues like that that just weren't being prioritized. Modernizing Perkins CTE. You know in vocational education.
And it's something I became super passionate about. And and help lead lead the charge on. I think in in America for a really long period of time we've really believed that education stops when you leave high school or college. And that is not true and that's a dangerous way to think. So how can we both galvanize the private sector to ensure that they continue to train workers for the jobs they know are coming. And how they train their existing workforce into the new jobs with robotics or machinery or new technologies that are coming down the pike. So galvanizing the private sector to join us in in in that effort.
So whether it's the legislative side like the actual legislation of Perkins CTE which was focused on on vocational education or whether it's the ability to use the White House to galvanize the private sector. We got over 16 million commitments from the private sector to retrain or rescale workers into the jobs of tomorrow. Yeah there's so many aspects of education that you're helped on. Access to the STEM and computer science education. So the the CT thing you're mentioning modernizing career and technical education. That's millions, millions of people. The act provided nearly $1.3 billion annually to more than 13 million students to better align the employer needs and all that kind of stuff. Very large scale policies that help a lot of people. It's fascinating. Education often isn't like the bright shiny object everyone's running towards.
So one of the hard things in in politics when there's something that is good policy. Sometimes it has no momentum because it doesn't have a cheerleader. So where are areas of good policy that you can like literally just carry across the finish line because people tend to run towards what's the news of the day. Sort of to try to address whatever issues being talked about on the front pages of papers and there's so many issues that need to be addressed and you know education is one of them that's just under prioritized you know human trafficking.
That's an issue that I didn't go to the White House thinking I would work on but you hear a story of a survivor and you can't not want to eradicate one of the greatest evils that the mind can even imagine you know the trafficking of people the exploitation of children and I think for so many they assume that this is a problem that doesn't happen on our shores you know it's something that that you may experience at far flung destinations across the world but it's happening there and it's happening here as well and so through a coalition of people that on both sides of the aisle that I came to trust and to work well with we were able to get legislation which the president signed past nine pieces of legislation combating trafficking at home in abroad and digital exploitation of children.
How much of a toll does that take seeing all the problems in the world it's such a large scale the men's save at all was that hard to walk around with that just knowing how much suffering there is in the world as you're trying to help all of it as you're trying to design government policies to help all of that it's also a very visceral recognition that there is suffering in the world how difficult is that to walk around with you feel it intensely you know we were just talking about human trafficking I mean you don't design these policies in the absence of the input of survivors themselves so you hear their stories remember a woman who is really influential in my thinking Andrea Hipwell who she was in college where she was lured out by a guy she thought was a good guy started dating him he gets her hooked on drugs convinces her to drop out of college and spends the next five years selling her she only got out when she was arrested and all too often that's happening too that the victims being targeted not the perpetrator so we did a lot with DOJ around changing that and but now she's helping other survivors get skills and job training and the therapeutic interventions they need but you speak with people like Andrea and so many others and I mean you can't not your your part gets seized by it and it's it's both it's motivating and it's hard it's really hard.
I was just talking to a brain surgeon many of the surgery has to do he knows the chances are very low success and he says that that wears at his armor yeah it chips away is like only so many times can you do that and thank god he's doing it because I bet you're there are a lot of others that don't choose that particular field because of those low success rates but you could see the pain in his eyes like maintaining your humanity while doing all of it you could see the story though you could see the family that loves that person just you feel the immensity of that and you you you feel the heartbreak involved with mortality in that case and with suffering also in that case and generally all these in human trafficking but even helping families try to stay afloat trying to break out or escape poverty all that you get to see those stories of struggles not easy but the people that really feel the humanity of that feel the pain of that probably the right people to be politicians but it's probably also why you can't stay in there too long.
It's the only time in my life where you actually feel like there's always a conflict right between work and life and making sure you know as a woman I'd often get asked about you know how do you balance work and family and and I never I never liked that question because balance it's like a lucif right you're you're one fever away from like no balance you know like your child sick one day what do you do there goes balance or you know you have a huge project with a deadline there goes balance like I think a better way to frame it is am I living in accordance with my priorities maybe not every day but every week you know every month and reflecting on have you architected a life that aligns with your priorities so that more often than not you're where you need to be in that moment and service at that level was the one time where you really you feel incredibly conflicted about having any priorities other than serving.
It's finite you know in every business I've built you're building for duration you know and then you go into the White House and it is San Thorn Hourglass whether it's four years or eight years it's a finite period of time you have and most people don't last four years I think the average in the White House is 18 months it's exhausting but it's the only time when you're at home with your own children that you feel you think about all the people you've met and you feel guilty about any time that's spent not advancing those interests and to the best of your capacity and that's a hard that's a hard thing that's a really hard feeling as a parent and it's really challenging them to be to be present to always need to answer your phone you'll always need to be available it's um it's very difficult it's taxing but it's it's also the greatest privilege in the world.
So through that the storm all that the hardship of that what was the role of family through all that Jared and the kids what was that like that was that was everything you know to have that to have the support systems I had in place with with my husband and you know we had we had left New York and wound up in Washington and New York I lived 10 blocks away from my mother-in-law who if I wasn't taking my kids to school she was so we lost some of that which was very hard but we had what mattered which was each other and um and you know my kids were young when I got to Washington, Tendio my youngest was eight months old and Arabella my oldest my daughter was five years old so they were still quite young we have a son Joseph who's three and uh and I think for me like the dose of levity coming home at night and having them there and just joyful and um it was super grounding and important for me.
I still remember Tio um when he was around three three and a half years old Jared used to make me coffee every morning and I was like my great luxury that I would sit there he still makes it for me every morning I told him I'm never I secretly know how to actually work the coffee machine but I've convinced him that I have no idea how to work the coffee machine now I'm going to be fun but um I just skill I don't want to learn because it's it's one of his like acts of love he brings me coffee every morning in bed while I read the newspapers and um and Tio would watch this and so he got Jared to teach him how to make coffee and Thio learned how to make like a full blown cappuccino and he was so he had so much joy in every morning bringing me this cappuccino and I remember like the sound of his little steps you know like the slide it's um it was so cute coming down the hallway with my like perfectly foamed cappuccino.
Now I try to get him to make me coffee and he's like come on mom that was a moment in time but we had a lot of like little um moments like that that were just amazing so yeah I got a chance to chat with him and he has a his silliness and sense of humor it's um yeah it's really joyful yeah I can see how that could be an escape from the madness of Washington of the adult life and then we're young enough we really kept like our home life pretty sheltered from everything else and we were able to do so because they were so young and because they weren't connected to the internet they were too young for smartphones all of these things we were able to shelter and protect them and allow them to have as normal as upbringing as was possible in the context we were living and uh and they brought me lately and continued to bring me so much so much joy but they were I mean without Jared and without the kids it it would have been much more lonely.
So three kids you've now upgraded two dogs in a hamster well our second dogs we rescued him thinking he we thought he was probably like part German shepherd part lab is what we were told he's now I don't even know if he qualifies as a dog he's like the size of horse yeah basically horse Simba so I don't think he has much lab in him I think we Joseph has not wanted to do a DNA test um because he really wanted a German shepherd. so he's a German shepherd he's he's gigantic and we also have a hamster who's the newest addition because my son Theo he tried to get um he tried to get a dog as well our first dog winter um became my daughter's dog as she wouldn't let her brothers play with him or sleep with him and was old enough to bully them into submission so then Joseph wanted a dog in gut Simba Theo now wants a dog and has buster the hamster in the interim so we'll see what advice would you give to other mothers just having planning on having kids and maybe advise yourself huh figuring out this puzzle I think being a parent um you have to cultivate within yourself like hide in levels of empathy you have to really look at each child and see them for who they are what they enjoy what they love and and and meet them where they're at and I think that can be enormously challenging when your kids are so different in temperament you know as they could older that difference in temperament may be within the same child depending on the moment of the day um but it's it really I think it's actually made me a much softer person a much better listener.
I think I see people more truly for for who they are as opposed to how I want them to be sometimes and I think being a parent to three children who are all exceptional and all incredibly different has has enabled that in me I think for for me though they've also been like some migratus teachers in that we were talking about the the presence you felt when you were in the jungle and the the connectivity you felt and sort of the simple joy and I think for for us as we grow older we kind of disconnect from that like my kids have taught me how to play again um and that's beautiful I remember just a couple of weeks ago we had one of these crazy Miami torrential down for us an arabella comes down it's around eight o'clock at night it's it's really raining and she's got rain boots and pajama pants on and she's gonna take the dogs for a one rain which you know she had all day to walk but she but she wasn't doing it because they needed to go for a walk and she was like this would be fun and I'm standing in the doorstep watching her and she goes out with simba and winch her this massive dog and this little tiny dog and I'm watching her walk to the end of the driveway and she's just dancing and it's pouring and I took off my shoes and I went out and I joined her and we danced in the rain and even as like a preteen who would normally you know she like allowed me to experience the joy with her um and it was it was amazing we can be so much more fun if we allow ourselves to be more playful we can be so much more present I look at a Theo loves games so we play a whole lot of board games any kind of game um so it started with board games um we do a lot of puzzles uh that it became card games I just taught him how to play poker nice he loves backam in like any kind of game and he's so fully in them you know when he plays he plays my son Joseph he loves nature and he'll say to me sometimes when like I'm taking a picture of something he's observing like a beautiful sunset he's like mom just experience it I'm like yes you're right Joseph just experience it.
you know so so they those kids have taught me so much about sort of reconnecting with what's real and what's true and being present in the moment and uh an experiencing joy they always give you permission to sort of uh reignite the inner child to get kid again yeah and it's interesting what you said the puzzle of noticing each human being like what makes them beautiful the unique characteristics like what they're good at the way they want to be mentored like I often see that um especially with coaches and athletes young athletes aspiring to be great each athlete needs to be trained in a different way like I for example with some you need a softer approach like with me I always like like a dictatorial approach I like the coach to be this like menacing figure that's one that that brought out the best of me I didn't want to be friends with the coach like I want to almost like weird to say we yelled at like put to be pushed but that doesn't work for everybody uh and that's a risk you have to take as a in the coach context of like because you can't just yell at everybody.
yeah you have to figure out like what does each person need and when uh you have kids I imagine the puzzle is even harder and when they all need different things but yet coexist and are sometimes competitive with one another so you'll be at a dinner table the amount of times I get well that's not fair why did you let and I'm like life isn't fair and by the way like I'm not here to be fair I'm like I'm trying to give you each what you need especially when I've been working really hard and you know I in the White House that say okay well now we have a Sunday and we have these hours and I'll I'll have like a grand plan you know and we're gonna make it count and it's gonna involve you know hot chocolate and sleds you know whatever whatever it is at like my great adventure they we're gonna go play mini-gall and then I come down all psyched up all ready to go and uh the kids of zero interest and there have been a lot of times I've been like we're doing this thing and and then I realize wait a second you know like sometimes you just like plop down on the floor and start playing magnetiles you know and like that's where they need you and so so those of us who have sort of like alpha personalities who sometimes it's just just witness like witness what they need don't like play with them and allow them to lead the play don't force them down a road you may think is more interesting or productive or educational or edifying you know just just be with them observe them and and then show them that you are genuinely curious about the things that they are genuinely curious about I think there's a lot of love when you do that also there's just fascinating puzzles.
I was talking to a friend yesterday and she has four kids and uh they fight a lot and she she generally wants to break up the fights but she's like I'm not sure if I'm just supposed to let them fight can they figure it out but you always break break them up because I'm told that it's okay for the fight kids to do that they kind of figure out their own situation that's part of like the growing up process but you want to always especially if it's physical they're like pushing each other you want to kind of stop it but uh at the same time it's also part of the play part of the dynamics that that's a puzzle you also have to figure out and plus you're probably worried that they're gonna get hurt if they're well I think there's like when it gets physical yeah that's like okay we have to intervene I know you're into martial arts but that's normally like the red line you know once it once it tips into that but there is always that you know like you have to allow them to problems off for themselves like a little inner personal conflict is good it's really hard when you try to navigate something because everyone thinks you're taking their side you have oftentimes incomplete information.
It's um I think for parents what tends to happen too is we see our kids fighting with each other in a way that all kids do and we start to project into the future and like catastrophize you know if like my two sons are going through a moment where they're like oil and water anything one wants to do the other doesn't want to do it's like a very interesting moment so by instinct is they're not gonna like each other when they're 25 you know you sort of project into the future as opposed to recognizing this is a stage that I too went through and it's normal and not building it in your mind into into something that's unnecessarily consequential it's short term formative conflict.
yeah so uh ever since 2016 the the number and the level of attacks you've been under has been steadily increasing has been super intense how do you walk through the fire of that you've been very stoic about the whole thing I don't think I've ever seen you respond to an attack you just let it pass over you you stay positive and you focus on solving problems and you didn't engage while being in DC you didn't engage into the back and forth fire of the politics so what's your philosophy behind that I appreciate your saying that I was very stoic about it I think you know I feel things pretty deeply so initially sub-mofat really took me off guard like some of the derivative love and hatred um some of the intensity of of of the attacks um and there were times when it was it was so easy to counter it I'd even write something out and and say well I'm gonna I'm gonna press send and never did I I felt that sort of getting into the mud fighting back it didn't run true to who I am as a human being like it didn't it felt at odds with with who I am and how I want to spend my time.
so I think as a result I was oftentimes on the receiving end of a lot of a lot of cheap shots and I'm okay with that because it's sort of the way I know how to be in the world I was focused on things I thought mattered more and you know I think part of me also internalize there's a concept in Judaism called Lushenhara which is translated into I think quite literally evil speech and the idea that you know speaking poorly of another is almost the moral equivalent to murder because you can't really repair it you can apologize but you can't repair it another component of that is that it does as much damage to the person saying the words um then it does to the person receiving them and I think about that a lot I talk about this concept with with my kids a lot um and I'm not willing to pay the price of that fleeting and momentary satisfaction of of sort of swinging back because I think it would be it would be too expensive for my soul and and that's how I kind of made peace with it because I think that's just that feels more true for me but it is a little bit contrary in politics it's uh it's definitely um it's definitely a contrary and viewpoint um to to not get into the fray actually someday I love Dolly Parton says that um she doesn't condemn or criticize she loves and accepts and I like that it feels it feels right for me.
I also like that you said that words have power it's not sometimes people say well words when you speak negatively of others out that's just words but I think there's a cost to that there's a cost like you said to your soul and there's a cost in terms of the damage you can do to the other person uh whether it's to their reputation publicly or to them privately it just is a human being psychologically and in the place that it puts them because they think they start thinking negatively in general and then maybe they respond and there's this vicious downward spiral that happens they're almost like we don't intend to but it destroys everybody in the process you quoted Alan Watts I love him in uh saying quote you're under no obligation to be the same person you wore five minutes ago so uh how have the years in DC and the years after uh change you I love Alan Watts too I I listened to his uh lecture sometimes falling asleep he's got like an on planes he's got like the most soothing voice but um but I love what he said about you have no obligation to be who you were five minutes ago because we should always feel that we have the ability to evolve and grow and and and better ourselves.
like I think further than that if we don't look back on her who we were a few years ago with some level of embarrassment we're not growing enough right so there's nothing I when I look back I'm like oh you know it's I feel like that that feeling is you know because you're growing into into hopefully you know sort of a better version of yourself and I hope and feel that that's been that's been true for me as well I think the person I am today you know we spoke um in in the beginning of our discussion about um some of my earliest ambitions and real estate and in fashion and those were amazing adventures and um and incredible experiences and government and I feel today that all of those ambitions are more fully integrated into me as a human being I'm much more comfortable with the various pieces of my personality and that any professional drive is more integrated into more simple pleasures like everything for me has gotten like much simpler and easier in terms of what I want to do and what I want to be and and um I think that's where you know my kids have been my teachers just being fully present um and enjoying like the little moments and it doesn't mean I'm any less like driven than I was before it's just more a part of me than um being sort of the all-consuming energy one has in their 20s yeah just like you said will your mom be able to let go yeah enjoy the. water the sun the beach yeah and enjoy the moment the simple the simplicity of the moment I think a lot about the fact that you know for for a lot of young people they they really know what they want to do but they don't actually know who they are and then I think as you get older hopefully you know who you are and you're much more comfortable with ambiguity around what you want to do and accomplish you're more flexible in your thinking around those things and give yourself permission to be who you are.
yeah you made the decision not to engage in the politics of the 2024 campaign if it's okay let me read what you wrote on the topic quote I love my father very much this time around I'm choosing to prioritize my young children and the private life who are creating as a family I do not plan to be involved in politics while I will always love and support my father going forward I will do so outside the political arena I'm grateful to have had the honor of serving the American people and I will always be proud of many of our administration's accomplishments so can you explain your thinking your philosophy behind that decision I think first and foremost it was a decision rooted in me being a parent really thinking about what they need from me now you know politics is is a rough rough business and I think it's one that you also can't dabble in I think you have to either be all in or or all out and I know today the cost they would pay for me being all in emotionally in terms of my absence at such a formative point in their life and I'm not willing to make them bear that cost I serve for four years and feel so privileged to have done it but as their mom I think it's it's it's really important that I do what's right for them and and I think there are a lot of ways you can serve you know I think there's obviously we talked about the enormity the scale of what can be accomplished in in government service but you know I think there's something equally valuable about helping within your own community and I volunteer with the kids a lot and we feel really good about that service it's different but it's no less meaningful.
so I think there are other ways there are other ways to serve I also think for you know politics is is a it's a pretty dark world like there's a lot of darkness a lot of negativity and it's just really at odds with what feels good for me as a human being and you know it is it's a really it's a really rough business so so for me and my family it feels right to not participate so it wears on your soul and yeah there is a bit at least from an outsider's perspective a bit of darkness in that part of our world I wish you didn't have to be this way me too I think part of that darkness is just watching all the legal turmoil that's going on what's it like for you to see that your father involved in that going through that on a human level it's my father and I love him very much so it's it's painful to experience but ultimately I wish it didn't have to be this way I like it that underneath all this I love my father is the thing that you lead with that's so true it is it is family and I hope I missed all this turmoil love is the thing that wins it usually does in the end.
yes but in the short term there is like we were talking about there's a bit of big ring but at least no more duels no more duels you mentioned dolly part that's a segue listen I'm not very good at this thing I'm trying to fix that okay that we both love dolly part I mean so you're you're big into live music so maybe you can mention why you love dolly part I definitely would love to talk I would love to interview her she's such an icon I hope you do what I love about her and I've really come to love her in recent years is she's so authentically herself and she's obviously so talented and and so accomplished and this extraordinary woman but I just feel like she has no conflict within herself as to who she is she reminds me a lot of my mom in that way and and it's super refreshing and and really beautiful to observe somebody somebody who's so in the public eye being so fully secure and in who they are what their talent is and what drives them so I think she's she's amazing and she leads with a lot of like love and positivity so I think she's very cool I hope you have a long conversation.
yeah she's like okay so there's many things to say about her first like incredibly great musician songwriters performer yeah also can create an image and have fun with it you know like have fun being herself like over the top it feels that way right like she's really she enjoys after all these years it feels like she's enjoying she like enjoys what she does and you also have the sense that if she didn't she wouldn't do it that's right and just an iconic country musician country music singer yeah there's a lot we've talked about a lot of musicians what do you enjoy you mentioned Adele seeing her perform hang out with her.
yeah I mean she's extraordinary her voice is unreal so she is I find her to be so talented and she's so unique in that three-year-old love her music she's actually the first concert Arabile ever went to and Madison Square Garden when she wished she was around four and nine-year-olds love her music and that's pretty rare to have that kind of band with a resonance so so I think she's so talented we actually just saw her I took all three kids in Las Vegas around a month ago Alice Johnson whose case I had worked with in the White House my father commuted her sentence her her case was brought to me by a friend Kim Kardashian and and she came to the show we all went together with some mutual friends and I was like a very profound it was amazing to see Adele but it was a very profound experience for me to have with my kids because she rode with us in in a car on the way to the show and and she talked to my kids about her experience in her story and how her case found its way to me.
and I think for young children it's very abstract you know policy and so for her to be able to share with them this was a very beautiful moment and led to a lot of really incredible conversations with each of my kids about our time and service because you know they gave up a lot for for me to do it actually Alice told them the most beautiful story about the play she used to put on in prison how these shows were like the hottest ticket in town like you could knock it into them they always extended their run and um but for the people who were in them a lot of those men and women had never experienced a pause nobody had ever shown up at their games or at their plays or and and clapped for them and the emotional experience of just being able to give someone that you know being able to stand and and applaud for someone and how meaningful that was and she was showing us pictures from these different productions and it was a really it was a beautiful moment Alice actually after um her sentence was commuted and and she came out of prison together we worked on 23 different partings or commutations so so the impact of of her experience and how she was able to to take her her opportunity and create that same opportunity for others who who were deserving and and who she believed in was was very beautiful so anyway that was an extraordinary concert experience for my kids to be able to have that moment.
what a story so just that's the sort of the uh because here we are dancing at a del exactly exactly like that turning point six years later was almost to the day so that that policy that meeting meaning of the miser's ultimate and major turning point in her life analysis life and not only her dancing and now we're at a del yeah I mean you mentioned also there I've seen commutations where it's it's an opportunity to step in and consider the ways that the justice system does not always work well um I can case is when it's nonviolent crime and drug offenses there's a case of a person uh you mentioned that received a life sentence for selling weed yeah it you know and it's just the number it's like hundreds of thousands of people are in the federal president jail and system for drug for selling drugs that's the only thing with no no violence on their record. whatsoever and it's obviously there's a lot of complexity there's the details matter but oftentimes the justice system does not um do right in the way we think right is and it's nice to be able to step in and help people like and direct they're overlooked and they have no advocate Jared um and I helped in a small way on his effort but he really um spearheaded the effort on on criminal justice reform through the first step act which was an enormously consequential piece of legislation that gave so many people another opportunity and that was amazing.
so working with him closely on that was was a beautiful thing for us to also experience together but in the final days of the administration you know you're not getting legislation passed and anything you do administratively is going to be probably overturned by an incoming administration so you know how do you use that time for maximum results and I really like dug in on on partens and commutations that I thought were were um were overdue and and were worthy and um and my last night in Washington DC I the gentleman you mentioned Corvon I was on the phone with his mother at uh 1230 in the morning telling her that her son would be getting out the next day you know so and it felt really it's it's one person but you see with Alice like the ripple effect of you know the commutation granted to her and her ability and the impact she'll have within her family with her grandkids um and now she's an advocate for so many others who are voiceless you know it felt like it felt like the perfect way to end four years to be able to um to be able to call those parents and call those kids in some cases and and give them the news that a loved one was coming home.
and I'll just love the cool image of you Kim Kardashian and Alice just dancing on a del show with the kids I love well Kim wasn't at the adalash show but but she's the she had connected as it was beautiful yeah the way the word dealt like can hold just like the bad assness she has on stage oh yeah she does like hard break songs like better than anyone or no it's not even hard break like what's what's that genre of song like rolling in the deep like a little anger a little love a little like something a little attitude and just like one of the greatest voices ever all that together just her by herself yeah you can strip it down and the power of her voice you know I think about that one of the things you're talking about live music I one of the amazing things now is you there's so much incredible concert material that's been uploaded to youtube so sometimes I just sit there and watch these like old shows we both love Stevie Ray Vaughn like watching him perform you can even find old videos of like Django Reinhardt got me got me to do Texas flood at this moment.
which is hilarious that you said like one of the songs you really like of Stevie's just Texas flood well my bucket list is to learn how to play it it's bucket list it's bucket list you made me feel so good because for me Texas flood was the first solo on guitar ever learning because for me it was the like the impossible solo yeah and then that was so I worked really hard to to learn it it's like one of the most iconic sort of blues songs Texas blues songs and now you made me fall in love with the song again want to play it out live at the very least put it up on youtube and miss because it is so fun to improvise and when you lose yourself in the song it truly is a blue song you can have fun with it I hope you do do that throw on a Stevie Ray Vaughn regardless I want you to play it for me 100% but he's he's amazing and and you know there's so many great performers that are playing live now you know I just saw Chris Stapleton show he's an amazing country artist he's too good he's so good Lucas Nelson's one of my favorite to see live and there's so many incredible songwriters and musicians that are out there touring today.
翻译成中文:
这太有趣了,你说你最喜欢的Stevie(雷·沃恩)的一首歌是《Texas Flood》。而我一直想学会弹这首歌,这是我人生梦想的一部分,这让你让我感到非常高兴。对我来说,《Texas Flood》是我学习的第一个吉他独奏,因为对我来说,这个独奏曾经是难以企及的。所以我下了很大功夫去学它,因为它是最具代表性的德州布鲁斯歌曲之一。你让我重新爱上了这首歌,至少我想要现场表演它,或者至少把它上传到YouTube,因为即兴演奏这首歌真的很有趣,沉浸在歌曲中时,你会发现它真的是一首可以让人尽情享受的布鲁斯歌曲。
我希望你真的能做到,尽情享受Stevie Ray Vaughn的音乐。我百分之百希望你能为我演奏这首歌。他真的很了不起。现在有很多优秀的音乐人在现场表演,我刚刚看了Chris Stapleton的演出,他是一位了不起的乡村音乐艺人,他太优秀了。此外,Luke Nelson是我最喜欢看现场表演的艺人之一。如今有很多令人难以置信的词曲作者和音乐家正在巡演。
But I think you also you can go online and watch some of these old performances like Django Reinhardt was the first because I torture myself was the first song I learned to play on the guitar and it took me like nine months to a year it was I mean I should have chosen a different song but UA2 Monomore his one of his songs was and it was like finger style and I was just going through and and grinding it out and and that's kind of how I started to learn to play by playing that song but to see these old videos of him playing you know without all his fingers and and and the skill and the dexterity one of my favorite live performances is actually who really influenced Adele as a Rietha Franklin and she did this she did a version of amazing grace have you ever seen this video no I cry look up it was in LA it was like the temple missionary Baptist church talk about stripped down she's literally it I mean just listen to this oh so much you can do one note and you could just kill it the pain the soulfulness the spirit you feel like in her when you watch this that's true Adele carries some of that spirit also right yeah yeah and you can take away all the instruments with the delin just have that voice and it's so commanding and it's so um mate anyway you watch this and you see like the arc of also the experience of the people in the choir and them starting to join in and it's anyway it's it's amazing I love watching a queen like for a free to mercury queen performances.
Yeah like in terms of vocals and just like great stage presence that live eight performances like considered one of the best of all I watch that so many times he's so cool we pull up that for a second go to that part where where he's saying radio gaga and they're all um mimicking in his arm it's so cool look at that so good so good so that's an example of a person that was born to be on stage so good well we were talking surfing we were talking to you did sue I think live music is one of those kind of rare moments where you can really be present um where something about the anticipation of choosing what show you're going to go to and then waiting for the date to come and normally it happens in the context of community you go with friends and um and then allowing yourself to sort of fall into it is is incredible.
是的,就声音和舞台表现力而言,那次现场的Live Aid演出被认为是最棒的之一,我看过好多次,他真的很酷。我们能回放一下吗?尤其是他唱《Radio Ga Ga》的部分,观众跟着他一起模仿手势,真的很棒,太好了。这就是一个天生适合站在舞台上的人的例子,太棒了。之前我们聊到了冲浪和你做的那些事情,我觉得现场音乐是一种极其少见的时刻,让人能真正活在当下。选择要去看的演出,然后期待这一天的到来,通常是和朋友们一起,带着一种社区感受,然后完全沉浸其中,真是难以置信的体验。
So you've been training jiu jitsu trying um I mean I've seen you do jiu jitsu you extremely you're you're you're very athletic you know you know how to use your body to commit violence maybe there's better ways of phrasing that but anyway uh in a skill that's been honed over I mean um what do you like about jiu jitsu well first of all I love the way I came to it it was my daughter um I think I told you this story is she's at 11 she told me that she wanted to learn self defense and um and she wanted to learn how to protect herself which I just as a mom. I was so proud about because at 11 I was not thinking about defending myself you know I I loved that she had sort of that desire and awareness um so I I called some friends actually a mutual friend of ours and asked around for for people who I could work with in Miami and they recommended the valentay brother studio and um you've met all three of them now they're these remarkable human beings and they've been so wonderful for our family.
I mean first starting with arabela I used to take her and then she'd kind of encourage me and she'd sort of pull me into it and I started doing it with her and then um Joseph and Theo saw us doing it they wanted to start doing it so now they joins and um then Jared joins and now we're we're all doing jiu jitsu and for me there's something really empowering knowing that I have some basic skills um to defend myself I think it's something as humans we've kind of gotten away from you look at any other animal and you know even the giraffe they'll use their neck the lion the tiger every species and then there's us you know who most of us don't and I didn't know how to protect myself and I think that it it gives you a sense of confidence and also gives you kind of a sense of calm you know knowing how to deescalate rather than an escalate a situation.
I also think as part of the training you um you develop more natural awareness when when you're out and about and I feel like especially you know everyone's you get on an elevator and like the first thing people do is pick up their phone you're walking down the street their people are getting hit by cars because they're walking into traffic I think as you start to get this training you become much more aware of the broader context of what's happening around you which is which is really healthy and good as well but it's been beautiful they actually the Valenti brothers they have this seven five three code that was developed with some of the sort of samurai principles in mind and all of my kids have memorized it and they'll talk to me about it at the oh he's eight years old he'll he'll able to recite all fifteen so you know benevolence and and fitness and nutrition and flow and awareness and balance and it's an unbelievable thing and they'll actually integrate it into conversations where they'll talk about something that happened yeah rectitude courage benevolence respect honesty honor loyalty.
So this is not about judicisous techniques or fighting techniques is this bought away of life about the way you interact with the world with other people exercise nutrition rest hygiene positivity that's more on the physical side of things awareness balance and flow it's the mind the body the soul effectively is how they break it out and and the kids can only advance and get their stripes if they really internalize this they give examples of each of them and and my own kids will come home from school and they'll tell me examples of how things happen that were inaligned with the seven five three codes so it's it's a framework much like religion is in our house and and can be for others it's a framework to discuss things that happen in their life large and small and and it's been beautiful.
So so I do think that like body mind connection is super strong and and she did so so there's many things I love about the valentine brothers but one of them is the how rooted it is in philosophy in history of martial arts in general you know a lot of places you'll practice the sport of it maybe there are of it but to recognize the history yeah and what it means to be a martial artist broadly on and off the mat that's really great and the other thing is great is they also don't forget the self defense route to actual fighting routes so it's not just the sport it's a way to defend yourself on the street in all situations and that gives you a confidence in just like you said an awareness about your body and awareness about others.
Yeah it is you know sadly we forget but there's a it's a world full of violence or the capacity for violence so it's good to have an awareness of that and a confidence how to essentially avoid it 100 percent I I've seen it with all of my kids they've been and myself how much they've benefited from it but that self defense component and the philosophical elements of you know they Pedro will often tell them about like Wu Wei and sort of soft resistance and and some of these sort of more eastern philosophies. that they get exposed to through through their practice there that are sort of non-resistance that that are beautiful and hard concepts to internalize as an adult but but especially you know when you're 12 10 and and eight respectively so it's it's and it's been an amazing experience for us all.
I love people like Pedro because he's like finding books they're like in Japanese and translating to figure out like the details of a particular history like he's a he's like an ultra scholar of martial arts and I love that I love when people give everything every part of themselves to the thing they're practicing you know people have been fighting each other for a very long time and I love from the Colosseum on you can't fake anything you can't lie about anything yeah it's it's truly honest you're there and you either win or lose and simple and that's like it's also humbling that yeah the reality of that is humbling and oftentimes in life things are not that simple not that black and white so it's nice to have that sometimes that's that's the biggest thing I gained from Jiu Jitsu is getting my in my ass kicked which is the humbling and it's nice to just get humbled in a very clear way sports in general a great for that.
I think surfing probably I can imagine yeah just you know yeah face planting not being able to stay on the board it's humbling and the power of the wave is humbling so just like your mom you're an adventure are there your your bucket list is probably like 120 pages but is there things like just pop to mind that you're like thinking about especially in the near future just saying well I hope it always is long you know I hope I've never like exhausted exploring all the things I'm curious about I always tell my kids whenever they say you know mom I'm bored only boring people get bored like there's too much to learn there's too much to learn so I've got a long one.
I you know I think obviously there are some like immediate tactical you know interesting things that I'm doing I'm incubating a bunch of businesses I'm investing in a bunch of companies that hopefully I'll always can continue to do that some of the fun things I'm doing in real estate now so those are all on the list of things I'm passionate and excited about yeah continuing to explore and learn but in terms of the like the the ones or more pure sort of adventure or hobby I think I'd like to climb out Kilimanjaro actually I know I would and I the only thing keeping me from doing it in the short term is I feel like it'd be such a great experience to do with my kids and I'd love to have that experience with them.
I also told at her Bella we were talking about this archery competition that happens in Mongolia and she loves horseback riding so I'm like I feel like that would be an amazing thing to experience together I want to get barreled by a wave and and learn how to play Texas flood I want to see the northern lights like I want to go and experience that I feel like that would be really beautiful I want to get my black belt like you have nice I asked you know how long did it take but so I want to get my black belt and you did see that's like that's going to be a longer term goal but within the next decade yeah a lot of things you know I'd love to go to space I thought not just space I think I'd love to go to the moon like step on the moon yeah or float you know in close proximity like that famous photo.
Yeah just you and uh the space suit I feel like Mars is at this point in my life so well the moon's like four days feels more more manageable I don't know but the sunset on Mars is blue it's the opposite color I hear it's beautiful it might be worth it I don't know you negotiate with you yeah let me know how good let me know I guess I think actually just even go to space where you can look back on earth yeah I think that just to see this little pale blue dot pale blue dot just all the stuff that ever happened in human civilization is on that and to be able to look at look at it yeah it's just being awe now.
I think that's the thing that will go away. I think being interplanetary, my hope is that that heightens for us how rare it is what we have, like how precious the earth is. Um, I hope that it has that effect. Uh, because I, you know, I think there's a big component to interplanetary travel that kind of taps into this kind of manifest destiny inclination, like the human desire to conquer territory and expand um, the footprint of civilization. That sometimes feels much more rooted in like dominance and conquest than curiosity, wonder and um, and obviously I think there's, you know, maybe an existential imperative for it at some point or a strategic or security one.
But um, I hope that what feels inevitable at this moment, I mean you know, Elon Musk and what he's doing with SpaceX and Jeff Bezos and others, it feels like it's not an if, it's a when at this point. I hope it also underscores like the need to protect what we have here. Yeah, and it's, I hope it's the curiosity that drives that exploration and I hope the exploration will give us a deeper appreciation of the thing we have back home and then earth will always be home and it's a home that we protect and celebrate.
What uh, gives you hope about the future of this thing we have going on human civilization, the whole thing? I think I feel a lot of hope when I'm in nature. I feel a lot of hope when I am experiencing people who are good and honest and pure and true and passionate. And that's not an uncommon experience, so those experiences give me hope. Yeah, other humans, we're pretty cool. I love humanity, we're awesome, you know, not always, but um, but we're pretty good species. Yeah, for the most part, I'm the whole, we do all right.
We do all right, we create some beautiful stuff and uh, I hope we keep creating and I hope you keep creating. You have already done a lot of amazing things, built a lot of amazing things, uh, and I hope you keep building and creating and uh, doing a lot of beautiful things in this world. Ivanka, thank you so much for talking today. Thank you, Lex, thanks for listening to this conversation with Ivanka Trump.
To support this podcast, please check out our sponsors in the description, and now let me leave you with some words from Marcus Aurelius: dwell on the beauty of life, watch the stars, and see yourself running with them. Thank you for listening and hope to see you next time.